Visit ancient Vietnam and China.
Lipper
Gou Jian, the king of Yue, broke Wu Gui, and the soldiers went home.
Maid-in-waiting is like a flower in Man Chun Hall, but only partridges are flying today.
He chose not a fragment in the long process of this struggle, but two scenes after the defeat of Wu State and the return of the King of Yue. The first sentence pointed out the meaning of the problem and explained the specific content of the historic site. Write two or three sentences about soldiers returning home and Gou Jian returning to the palace. Destroy the enemy, avenge the shame, and all the soldiers are happy; Now that the war is over, everyone has been rewarded. They are not wearing real armor, but jinyi. Only the word "Jinyi" can make the King of Yue and his soldiers come back proudly, full of the joy and pride of the winner. After the King of Yue returned to China, he was ambitious, not only boasting, but also enjoying it. As a result, beautiful women filled the palace, surrounded him and waited on him. The word "spring" in "Spring Temple" should be "flower-like" to describe beautiful times and scenes, not necessarily spring. Only by writing this, the situation of the King of Yue throwing away the past desperate eating and drinking has been fully demonstrated. The city is full of golden warriors, and the palace is full of maids. This scene is very prosperous, beautiful, lively and happy, but the sentence suddenly turns and everything written on it is written off. The victory, power, wealth and glory that once existed in the past were just a few partridges flying around the old city site. This sentence describes the personnel changes, ups and downs of impermanence, expressed by lamentation. Rulers of all ages hoped that their wealth and splendor would be the inheritance of future generations, but the poem truthfully pointed out the disillusionment of this hope, which is its positive significance.
Through specific scenery, the poet made a sharp contrast between the prosperity of the past and the desolation in front of him, which made readers feel particularly profound. Generally speaking, it is difficult to highlight an environment directly, but the effect can often be greatly enhanced through comparison. Therefore, describing desolation through lively scenes makes readers feel even more miserable. The contrast between the prosperity of the past written in front of this poem and the desolation written behind it is extremely strong. The more you write in front, the more you turn behind. In order to fully express the theme, the poet also made arrangements for the artistic structure of this poem that are different from the general seven wonders. Generally speaking, the turning point of the Seven Wonders is arranged in the third sentence, but the first three sentences are all in an angry state, and it is not until the fourth sentence suddenly turns to the opposite side that it is particularly powerful and energetic. This kind of writing is not a poet with rich brushwork, so it is difficult to write freely.
The focus of this poem is to describe the past prosperity clearly, trying to use three-quarters of the space to render it, and to write the future desolation with the conclusion, thus obliterating it and leading it to the theme, which fully embodies the ever-changing artistic skills of the poet.