First of all, popular science? Ruyi? : Ruyi has a real person, historically? Ruyi? Her background is not prominent, and her father, Narbu, is just an assistant collar with a blue flag. Her last name is not Ula Nala, but Huifa Nala. In the 12th year of Yongzheng (1734), 16-year-old Huifa Nala passed the draft and married Prince Aisin Giorro? Li Hong is a side Fujin. A year later, Yong Zhengdi died, and Li Hong succeeded to the throne, that is, Emperor Qianlong. Huifa Nala, a side Fujin in the hiding place of Emperor Qianlong, was named a virtuous princess, ranking second only to Fu Cha and Gao Guifei. Different from Yi Ru, who is cold and stubborn in Ruyi's Imperial Love in the Palace, Huifa Nora in history is elegant and solemn. So Emperor Qianlong named her Xianfei? Peace? .
Let me start with the story told in the TV series Ruyi Palace: Ruyi Palace is a typical Gong Dou drama. To tell the truth, I don't quite support making such a palace drama that promotes negative culture. Fight? Chinese characters have lasted for thousands of years in China, and now the whole world is gradually merging. Fight? It is not to guide people to be positive, but to let human civilization go backwards, so I don't advocate that the film and television industry always comes to a palace drama. Of course, carrots and vegetables have their own tastes, and many people who like to watch them continue to watch them, as long as they are not blinded by the characters and plots in the play. This TV play is based on Wu's novel. /kloc-In the first half of the 8th century, the Manchu dynasty ushered in the era of the last long-lived emperor. Li Hong (Wallace Huo), in the prime of life, officially ascended the throne, with the title of Qianlong. At the same time, Fang Fujin Ruyi (Zhou Xun), who grew up with Li Hong as a childhood sweetheart, also entered the palace to confer titles on the virtuous princess. Suddenly at the core of the political struggle, two people who are soul mates gradually realized the great feeling of tearing. The Empress Dowager (Vivian Wu) has a deep hatred with her wishful family Ulan Nala, so naturally she regards the virtuous princess as a thorn in her side. On the political stage, the imperial power was divided from all directions by the dictatorship of the harem and the domineering of the old ministers. In the palace where the tide is surging, the emperor and the princess support each other, advance and retreat together, and finally clear the obstacles one by one. If Yi was promoted to queen, it seemed that everything was beautiful, but on the bumpy road, the mature and sophisticated emperor had separated from his old love for life. Decadence has no beginning, and fresh talents have an end.
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