1 .10,000, goddess of Dai opera.
In the early 1980s, A Dai's drama He E and luo sang, based on folk narrative poems, was staged. This work is called "Romeo and Juliet of Dai nationality", which marks the maturity of Dai drama and is known as "the artistic pearl of Southeast Asia". Wan played A Bing in the Dai drama "A Bing and" and began to make his mark. Her expressive singing, fresh and simple performance and delicate and vivid performance made the tragic image of a beautiful and kind Dai woman finally destroyed by evil forces make people cry. Many viewers still can't forget her role as E-Bing.
At that time, Wan discussed how to portray characters by singing in Dai opera. His outstanding performances in such important plays as E Yu, Wolf Leg Han, Han Hai, Zhu Shen, Zhang Gong and Legend of the White Snake have shaped many stage figures with distinctive personalities. Another Dai drama "Lang Tui Han" ("Peacock Princess") starring Wan was called "the most beautiful princess" by the Dai people, which established its representative position in the artistic performance of Dai drama. Especially after the performance of Lang Tui Han (Peacock Princess), Wan created a Peacock Princess for the audience in the minds of the Dai people. The performance of the play was full, and many people were intoxicated by this familiar story, and many people appreciated the beauty of Wan's performing arts. The audience waited for their idea of Princess Peacock and said to her, "We have heard the story of Princess Peacock many times since childhood, but we don't know what Princess Peacock looks like. Today, we realize that Princess Peacock is you and you are Princess Peacock. " The play lasted for 20 years from rehearsal to 20 13, with hundreds of performances, which lasted for a long time and became an excellent repertoire of Zhou Dai Troupe. Therefore, Wan became a real peacock princess in the minds of Dai people.
Wan also plays a major role in more than 20 large-scale Dai dramas, such as Emerald Mytilus, Legend of the White Snake, Hu Wei in Zhu Shen, Lang Mohan in Multicolored Copper Pa and Maogong Lane. He has edited and directed short plays, such as Quasi-waybill, Ancient Feng Chun, Praise of Pioneer in Yunling, Ruili River, Love, Daughter, Pasha, Friends, People's War is Wang Yang, Peacock with Wings and so on. After the performance, these plays were loved by the audience. The Dai drama she performed went beyond the limitation of language, and reached the stage of 1999 CCTV Spring Festival Evening, which was welcomed by the people all over the country. She has also visited Japan, the United States, Singapore, Hong Kong and other places on behalf of Yunnan many times.
In 2000, Zhou Dai Troupe began to rehearse the large-scale Dai drama "Langsina" with Wan as the heroine. As a newly created excellent Dai drama, the state party committee, the state government, the higher authorities and the whole troupe have high hopes for the drama, making Wan once again stand on the stage of challenging himself. Langxina, the heroine of Langxina, has experienced the emotional course of sweet love, unyielding loyalty, outwitting demons and tempering chastity with fire. Great changes have taken place in the character's personality with the development of the plot. How to shape this character with the voice of Dai opera is another artistic peak that we must climb. After careful thinking and research, Wan decided to shape the artistic personality of singing according to the dramatic conflicts and personality changes of each role. For example, in the first scene, she used euphemistic singing, even and long breathing, and the sweet waxy timbre was applied to singing, showing Longsinara's shyness, expectation and oath immersed in love and joy; For example, in the sixth song "Stabbing the Devil", she vividly showed the tenacity and fortitude of Longina's heroic exorcism with sharp and bright timbre, sentence-by-sentence rhythm and a sense of drama with flame. For example, in the seventh book "The Trial of Fire", she pushed Longsina to the peak of the ugly world and the climax of nirvana in the fire with her very sonorous high notes, continuous breath and bright timbre. The great tragic beauty deeply shocked the audience. A goddess "Langsina" was born in the fire, and Wan, the goddess of Dai drama, stood in front of the audience in the aesthetic feeling of Dai drama's comprehensive art and the shocking power of stage performance. Wan won the Golden Peacock Award for National Minority Drama Performance with his excellent performance and wonderful singing in nirvana in fire. Wan has formed a euphemistic, pure, mellow, sweet and silky voice, subtle and delicate singing, graceful figure, clear recitation, cadence and simple and natural acting skills during his more than 20 years of drama performance career. She combines the singing, acting, acting, speaking and dancing of Dai drama in characterization, which purely reflects the Dai people. Her artistic appeal has been sublimated into a kind of cultural influence, which has great appeal throughout Myanmar and Dai areas in Southeast Asia, among Dai people and even in Southeast Asia. Many local people call Dehong Dai Opera Troupe "Wan Opera Troupe".
Second, Wan Ba is the messenger of Dai folk songs.
Singing Dai songs is also a must. Where there is a well, he sings prose songs. She recorded the Dai music albums Chuanzhai and Dai Homesickness. With the release of these two Dai tapes in Dehong, Myanmar and Southeast Asia, Wan's name has been deeply rooted in people's hearts. In recent 2 0 years, she has released albums of Dai songs, such as Happy Water-splashing Festival, Happy New Year, Driving on the Road, Gayang, Beautiful Dehong, There is a Beautiful Place and so on. Many of them have been sung by the masses, such as "Where People yearn for", "Fighting for Villages" and "Blessing with Water". In 1995, the author personally experienced the sensation caused by Wan singing Dai songs. That year, Shanghai TV Station held 56 national song and dance and music exhibitions of "China National Style". Wan sang "The Place People yearn for" (Hu Sanci, Wei Ming Ruqu) on behalf of Yunnan Dai people's song and dance music. In the studio of Shanghai TV Station, Wan was dressed in a sapphire Dai costume. A song sings to "Happy Dai country, the place people yearn for, shining like a brilliant gem". With the rhythm of the song, she danced and shook her shoulders frequently at the climax of the song, and the sweet and elegant song and dance were finally fixed on a sculptural three-way Dai dance shape. At the end of the song, there was a sudden burst of warm applause after the silence. Her singing and dancing fascinated the audience and people in front of the TV. For a time, Yunnan Youth League became a hot topic in the news media. Ten thousand people will be recognized when they walk in the street, and people will shout at the actors of the Yunnan delegation: "Yunnan! Yunnan! " Some Shanghai educated youth who jumped the queue in Yunnan specially rushed to the central headquarters of Yunnan Youth League, and must take a group photo with Wan.
Love Song sung by Wan (Ye's lyrics). Although this song is a joke, the simple melody contains deep feelings of Dai hometown, but the simple language contains deep yearning and expectation: "I thought my brother would come to my sister's side, and our feelings will never end." When she sings this Dai Song, her voice is kind and soft, her timbre is sweet and moist, her volume control is moderate, her speech speed is moderate and gentle, and every paragraph should be done.
For Wan, the control of sound affects the understanding and style of Dai songs, and also affects the audience's understanding and aesthetic perspective of the works. Therefore, Wan has always attached great importance to voice control. Therefore, when she sings these cheerful songs, such as Happy New Year, Hurrying, and Happy Water-splashing Festival, Wan pushes up the volume, uses the timbre to the brightest, plays the singing to the highest tone, and expresses the rhythm to the fiercest. The joy of the festival spread to everyone, which is very artistic.
Beautiful Dehong is an album of Dai songs recorded by Wan. The title song "Beautiful Dehong" (Xiao Geng, Cao, Feng Xiaoli, lyrics, lyrics) shows Wan's dignity and atmosphere as a senior performing artist. This is a song sung in Chinese. When singing this song, she was supported by the mellow, pure and bright timbre, broad and three-dimensional phoneme and smooth and symmetrical atmosphere, and her performance was full of artistic appeal. When the song sings "Your love is in my heart, thousands of songs praise the people, make the world move for me, and I love the beautiful Dehong", the alternation of bright and dark timbre, the contrast of strength, the difference of volume and the change of speed show Wan's demeanor as an experienced singer.
Wan, as an artist who can perform both opera and singing, has been to the United States, Japan, Singapore, Myanmar, Hong Kong and other countries and regions for cultural exchange performances as a member of China Ethnic Art Troupe and Yunnan Ethnic Art Troupe for many times. Her singing skills have been affirmed and loved by everyone. No wonder she was moved by the natural sound, sound quality and singing method of the Dai songs sung by Wan. The American media called her a "beautiful angel".
Wan has been active behind the scenes for more than 20 years, and the audience applauded constantly. The winter jasmine is still in full bloom. We are eager to create more glory for Dai drama art and Dai songs with a brand-new artistic style.