Resource link:
link:/S/ 1 pykhyl 0 w3 gdcj 9 eks ---- ga
Extraction code: 29wb Title: Drama
Author: [America] Marvin Carlson
Translator: Zhao Xiaohuan
Douban score: 7.3
Publishing House: Yilin Publishing House
Publication year: 20 19-7- 1
Page count: 272
Content introduction:
Celebrity evaluation and recommendation
"For readers in China, the greatest advantage of Professor Marvin Carlson's short book is its cutting edge: it was published on 20 14, recording the latest views of western scholars on drama in this century. This is very important for China readers! ..... The author is a very profound world drama scholar. Although his starting point is based on the West, it is based on various types of dramas of different cultures around the world. "
-Lv Xiaoping, a professor, drama scholar and creator at the College of Literature of Nanjing University.
As a master, authority and pioneer of drama and performance research, Carlson agreed to write the theme of "drama" for the huge and successful "Oxford Ordinary Readers" series of Oxford University Press, which is a great boon to our discipline.
-Jan Harvey, Professor of Contemporary Drama and Performance at Queen Mary University in London.
brief Introduction of the content
Drama has always been a very important art form in the world. From puppet show to pantomime, to street performance, to modern drama, this complex art borrows from other art forms, such as dance, literature, music, painting, sculpture and architecture, and integrates all aspects of human activities and culture into creation. In this book, Marvin Carlson, an expert in drama research, has gone through thousands of years, leading us to understand how various forms of drama around the world have evolved and spread to this day. In addition, he also distinguished between drama performance and drama text, discussed the relationship between them, and made a fascinating exploration of various roles played by drama artists.
About the author:
Marvin Carlson is an outstanding professor of "Sidney E Cohen" in the field of drama, comparative literature and Middle East studies in the Graduate Center of City University of new york. He has taught at universities such as Washington University and Indiana University. Research and teaching interests include drama and performance theory, world drama history and drama and performance research. The founding editor of Western European Stage has published a large number of academic papers and works in the fields of drama history, drama theory, drama literature and performance research. His works have won many awards and have been translated into many languages. His representative works include Drama Theory (1993), Ghosted Stage (200 1), Performance Criticism (2002), Introduction to World Drama (20 14) and so on. His latest work is Hamlet.