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What is the significance of Romance of the Three Kingdoms?
The Romance of the Three Kingdoms vividly interprets the basic spirit of China traditional culture, namely, benevolence, righteousness, courtesy, wisdom, faithfulness and courage, which are the core factors in the value system of China traditional culture.

Through the stories of Wei, Shu and Wu, The Romance of the Three Kingdoms reveals the historical development law of "the general trend of the world, which must be combined for a long time, and must be combined for a long time". The ideological tendency of "supporting Liu and opposing Cao" runs through the works, which embodies the people's desire to support a wise monarch, yearn for peace, hate tyrants and oppose unrest.

Luo Guanzhong integrated culture from two different levels of elegance and vulgarity, and distorted it according to his own subjective understanding, values and artistic likes and dislikes, thus making his works rich in cultural connotations. In The Romance of The Three Kingdoms, there are not only the refraction of the ideology of the upper ruling class, but also profound folk thoughts. It is a visualized history of the rise and fall of the Three Kingdoms and a political and military history in the eyes of the people.

Extended data:

Creation background

At the end of the Yuan Dynasty and the beginning of the Ming Dynasty, social contradictions were sharp, and peasant uprisings broke out one after another. After years of war, Zhu Yuanzhang wiped out heroes, overthrew the Yuan Dynasty and established the Ming Dynasty. During this period, people were displaced.

Luo Guanzhong, as a playwright and playwright, lives at the bottom of society, understands and is familiar with people's sufferings, expects social stability and people to live and work in peace and contentment, and thinks as a bottom-level intellectual, hoping to end the tragic situation caused by unrest. Thus came the historical novel Romance of the Three Kingdoms, which was based on the history of the last years of the Eastern Han Dynasty.

Literary achievements

The Romance of the Three Kingdoms is written in simple classical Chinese, vivid and fluent, appealing to both refined and popular tastes. Brush strokes are full of changes, contrasts, redundancies, twists and turns, and swaying. The structure is magnificent, and the events of about a hundred years and many characters with complicated clues are organized completely and closely, and the narrative is orderly, echoing, interrelated, interlocking and advancing layer by layer.

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