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Literature common sense of five ancient poems in Unit 5, Volume II, Grade 8, People's Education Edition.
See you at the first meal in Yangzhou.

(Tang) Liu Yuxi

Bashan Chu water is desolate [2] and abandoned in twenty-three years [3].

Nostalgia sings the flute (4), and when you go to the countryside, you look like a rotten ke (5).

On one side of the sinking ship, Qian Fan passed, and Wan Muchun was in front of the sick tree.

Listen to your songs today, and temporarily grow up with a glass of wine.

Translation of works

Bashan Chushui is a desolate place. For twenty-three years, I was abandoned there by the court. Back to my hometown, all the people I know have passed away. I can only miss it by singing "Remembering the Old Fu" written by Xiang Embroidery when I heard the flute, and I have become the mythical person who rotted the axe, and no one knows him. It's really like a lifetime ago. I'm like a sunken ship. These nouveau riche are like Qian Fan flying by. They are like a diseased tree, full of vitality. I heard the song you sang for me today, so cheer up with this glass of wine. [ 1]

Creation background

In 826 AD (the second year of Tang Jingzong Baoli), Liu Yuxi was dismissed as the state secretariat and returned to Luoyang. At the same time, Bai Juyi returned to Luoyang from Suzhou, and two poets met in Yangzhou. Wandering for half a month, then going north together. When we first met in Yangzhou, Bai Juyi wrote a song "Drunk Gifts to Twenty-eight Ambassadors of Liu Yuxi". As the poem goes, "Bring me a glass of wine and play chopsticks with you to sing a song." Although your poetry is first-class and can be called a national champion, it is doomed that you can't get it. Dou Rong's eyes are decent, but you stay lonely for a long time. Full officials have their own satisfactory positions, but you are empty. I also know that the name of the joint is folded, which is too much in 23 years. "This poem by Liu Yuxi is a compliment to Bai Juyi, focusing on expressing thoughts and feelings in this specific environment. [2]

works appreciation

"Lotte" is Bai Juyi's ideogram. "Meeting ceremony" refers to the poem that Bai Juyi gave to the author. Liu Yuxi's poems of giving answers inherited Bai's last words, and emphatically expressed his feelings in this special environment. In Bai's poems, Bai Juyi expressed infinite feelings about Liu Yuxi's experience, and the last two sentences said, "I also know the name of the quilt. Twenty-three years is too much." On the one hand, he lamented Liu Yuxi's unfortunate fate, on the other hand, he praised Liu Yuxi's talent and fame. You deserve bad luck. You are so talented! But twenty-three years of misfortune is too much. These two poems contain praise in sympathy, which is very tactful. Because Bai Juyi talked about twenty-three years at the end of the poem, Liu Yuxi went on to say at the beginning of the poem: "Bashan Chujiang River is desolate, and I gave up on myself in these twenty-three years." I have lived in the desolate area of Bashan Chushui for twenty-three years. Come and go, showing the intimate relationship between friends. Then, the poet naturally felt: "Homesickness is empty, and I feel like a rotten ke when I go to my hometown." He said that he had been away for twenty-three years, and now he was back. Many old friends had died, so he could only recite Wendy Fu in vain to express his condolences. Coming back is like a previous life, and it feels completely different. It's not the past anymore. The latter sentence uses the allusion of Wang Fu-fu, which not only implies his long years of relegation, but also shows the change of the world after reunification and his unfamiliar and melancholy state of mind, with rich implications.

In Bai Juyi's poem, there are two sentences: "The scenery is long and lonely, and the official position of the Manchu dynasty is abolished", which means that all the contemporaries have been promoted, and only you have wasted your life alone in a desolate place, which is quite unfair to Liu Yuxi. In this regard, Liu Yuxi wrote in his poems: "Qian Fan is on the side of the shipwreck and Wan Muchun is in front of the sick tree." Liu Yuxi compared himself to a sunken ship and a sick tree. Although he is disappointed, he is quite philosophical. On the side of the sunken ship, Qian Fan is competing; Before a sick tree, everything is spring. He excavated these two sentences from Bai Juyi's poems, but encouraged Bai Juyi not to grieve for his loneliness and waste, showing his open mind about the changes of the world and the rise and fall of his official career. These two poems echo Baishi's poems "There is nothing I can do" and "I also know that the combination of talented people and fame is broken", but their ideological realm is higher than Baishi's poems and their significance is much deeper. Twenty-three years of relegation did not make him depressed. As he wrote in another poem, "Modaosang stayed up late because the sky was still full of summer." His sick tree needs to be refreshed to welcome spring. Because these two poems are vivid, they are still often quoted and given new meanings, which shows that new things will replace old things.

It is precisely because of the sudden emergence of couplets in "Sinking Boat", which changed the sad and depressed mood in front, the couplets went down with the trend and wrote: "Listen to a song by Jun today, and rely on a glass of wine for the time being, and the spirit will grow." Point out the meaning of Bai Juyi's problem. I was deeply moved by your poem today, so let's entertain with wine for the time being! With the warm care of friends, rachel expressed his desire to cheer up and get back into life. Show perseverance. The ups and downs in poetry and the boldness in depression are excellent works in appreciating poetry. [2]

Thoughts and feelings

It shows the author's infinite sadness and resentment at being relegated and abandoned, and also shows the poet's firm belief and optimism.

Chibi (Author: Du Mu)

The iron is not for sale,

Learn from the past.

East wind is not convenient for Zhou Lang,

Bronze sparrow lock Er Qiao Spring.

poetic sentiment

A broken halberd sank into the underwater sand without erosion. After polishing and cleaning, it was found to be a relic of Battle of Red Cliffs. If the east wind is not convenient for Zhou Yu, I am afraid that Cao Cao will win and Er Qiao will be put in Tongquetai.

Edit this paragraph

Writing background

This poem was written by the poet after passing through the famous ancient battlefield Chibi (now Chiji Mountain in the southwest of Wuchang County, Hubei Province) and feeling the success or failure of heroes in the Three Kingdoms period. Battle of Red Cliffs, which took place in October, 13th year of Jian 'an of Emperor Xian of Han Dynasty (2008), was a major battle that played a decisive role in the historical situation of the three kingdoms. As a result, Sun and Liu were defeated, and Zhou Yu, the 34-year-old commander-in-chief of Sun Wu, was the most important person in this battle. The poet watched the ruins of the ancient battlefield, and expressed his unique views on Battle of Red Cliffs, thinking that Zhou Yu's victory was a fluke, and at the same time expressed his lament for the rise and fall of the country. Affectionate

works appreciation

At the beginning of the poem, an ancient style is used to lament the people, things and things of the previous dynasty.

"If you don't sell iron, you will recognize it if you wash it." These two sentences mean that the broken Zhan Ji sank in the sand and was not eroded. After grinding, he recognized it as a relic of the previous dynasty. Here, these two descriptions seem dull, but they are uneven. The broken halberd is buried in the sand, pointing out the historical situation here. The broken sand in Zhan Ji has not been eroded, suggesting that time has passed and things have changed. It was because of the discovery of this rusty "broken halberd" buried at the bottom of the river for more than 600 years that the poet had a lot of thoughts, so he had to grind it out and identify it, and found that it was a weapon left over by Battle of Red Cliffs. In this way, the remains of the former dynasty further aroused the author's imagination and laid a good foundation for the later expression.

"Dongfeng is not with Zhou Lang, and Tongque Chunsuo Er Qiao." These last two familiar words mean that if Dongfeng hadn't helped Zhou Yu, Tongquetai would have locked Er Qiao in Dongwu. This involves the famous Battle of Red Cliffs in history. The poet is quite clear about this, because Du Mu himself has the ability to help the world through the country, is familiar with politics and military affairs, and is very familiar with history and current affairs. As we all know, both Battle of Red Cliffs and Wu Sheng were defeated by Cao Cao, but here the author made a bold assumption of reverse thinking and put forward a hypothesis that is contrary to historical facts. What would have happened if Dongfeng hadn't helped Zhou Yu? The poet did not speak frankly about the end of the war. But "Tongquetai locks Er Qiao in spring". Tongquetai is Cao Cao's luxurious and dissipated place, where concubines and geisha are kept. The bronze sparrow terrace here reminds people of Cao Cao's romantic side. It is said that "deep spring" has deepened this romantic charm. Finally, the word "lock" is used to further highlight his meaning of golden house. It is really admirable to write so many stories about the victory and defeat of the war filled with smoke.

Artistic feature

From an artistic point of view, the poet Du Mu confuses the false with the true in the first two sentences, which is a common technique used by poets in the Tang Dynasty to write poems, just like borrowing people or events from the previous dynasty to write people or events in the current dynasty; In addition, the poem uses the expression of seeing the big from the small. When the last two sentences of the poem were written about the victory or defeat of the war, the author did not disclose them. On the contrary, he expressed his vision of Wu Dong's failure through the fate of two women with special status-Big Xiao Qiao. It can be said that seeing the big from the small is really unique. Imagine that if the wives of former Dongwu kings and dynasty commanders were brought to Tongquetai by Cao Jun, the end of the war would be self-evident, which made the whole poem vivid, implicit and full of emotion.

Guo yang

Wen Tianxiang (Southern Song Dynasty)

Once the effort comes, there will be fewer stars around.

The mountains and rivers are broken and the wind is floating, and life experiences are ups and downs.

The beach of fear says fear, and there is a sigh in the ocean.

Who hasn't died since ancient times? Take the heart of Dan and follow history.

1. The whole poem sums up the major events in the author's life, combining narrative and expression, which is generous, sad and touching.

2. The first six sentences of the poem exaggerate the emotional appeal of sadness, anger and bitterness, and the last two sentences turn to write an impassioned and generous swan song, which has a shocking and earth-shattering effect.

Sentence analysis and translation

Sentence analysis

The first couplet: The first two sentences of this poem should be understood together to describe the poet's life experience.

In the first couplet, "hard work" and "sparse" wrote the feelings of these two things to the author.

"Hard" sentence: trace back to my early life experience and all kinds of hard work since I became an official.

The sentence of "Mountain and River Map": The rhetorical devices of antithesis and metaphor link the fate of the country and the fate of the individual, vividly showing the stormy political situation and showing that the situation of the country and the fate of the individual are irreversible.

"Life experience" is life experience.

"Zero Ding" sentence: I am lonely and helpless, lamenting the current situation, lamenting my courage and isolation. After the poet was captured, he was imprisoned in a warship in Lingdingyang. The words "fear" and "strangeness" skillfully use two emotional words to express the poet's fear and loneliness.

translate

My hard life experience in Crossing the Zero Ocean began with a Confucian classic. After four years of hard work, since leading the rebels against the Yuan soldiers,

The great rivers and mountains of the motherland are fragmented under the enemy's aggression, just like a strong wind blowing catkins scattered;

My life experience is also ups and downs, just like duckweed under heavy rain. It is still frightening to think of the past defeat in Jiangxi and the evacuation from the beach of fear, the sinister torrent and the grim situation;

Thinking that Wulingpo was completely annihilated and trapped by the enemy last year, I can only lament my loneliness in the sea of Wang Yang.

People have been alive since ancient times. Who hasn't died?

Die for your country, die a fair death. (Let me) leave this sincere heart to shine in history!

Poetry appreciation

This is an immortal poem. At the beginning of the poem, review your life. It is intended to imply that no matter what difficulties and hardships, you are tempered and fearless. Then I described my combat career: I spent four years in a desolate cold war environment. Linking personal destiny with the rise and fall of the country. Three or four sentences continue to express the development of the situation and the deep sadness and anger from both the country and the individual. This couplet is neat and the metaphor is appropriate, which truly reflects the social reality and the poet's experience at that time. The national disaster, personal bumpy experience and all kinds of pains tormented the poet's feelings, which made his words doubly sad. Five or six lamentations are deeper, once again showing the poet's painful inner trembling because of the collapse of the country and his distress with typical events in his encounter. The last two sentences converge the whole article with great momentum, and write down the heroic oath that you would rather die than surrender, meaning that since ancient times, how can life not die? As long as we can make this patriotic loyalty shine in the history books.

This famous saying, which has been told through the ages, is a hymn of an ideal life written by the poet with his own blood and life. The whole poem is gloomy and tragic in style, and it is a great patriotic poem that touches the world and makes the gods cry.

Appreciation 3

Statue of Wen Tianxiang, "After a bitter battle, it is dotted around." Facing do or die, the author recalled his life and was deeply moved. He caught two major events, one is to be an official with Mingjing, and the other is to be a diligent king. With these two pens, I wrote the historical background and personal mood at that time very well. "Scarce combat power" refers to the overall situation of the country. According to "History of Song Dynasty", the imperial court recruited soldiers from all over the world, but few people died for their country like Wen Tianxiang. The author's words of "fighting for scarcity" imply anger at those who drag out an ignoble existence and condemnation of the capitulators!

In the above six sentences, the author exaggerates the hatred, hardships and hardships of home and country to the extreme, and the sadness comes to a climax, but the ending is a slap in the face: "Who has never died in life since ancient times? Take the heart of Dan and shine on history! " He collected the whole article with majestic momentum and high-pitched emotions, showing his national integrity and his view of life and death at the expense of righteousness. The mystery of the ending makes the whole article from sadness to strength, from depression to excitement, forming an immortal strong song. In this sentence, the author is outspoken, showing the national integrity that the poet would rather die generously for national security.

Brief introduction of the author

Creation background

"Tongguan Nostalgia" is the masterpiece of Zhang in his later years, and it is also the masterpiece of the perfect combination of ideology and artistry of Yuan Sanqu. In his collection of Sanqu, Trang Van Yuefu, there are seven topics and nine nostalgic poems written by [Shanpoyang] Qupai, among which Tongguan nostalgia is the most beautiful and colorful.

Zhang is an honest official and loves the people like a son. After living in seclusion, he decided not to set foot in his official career, but when he heard that he had been recalled to help the hungry people in Shaanxi, he resolutely resigned regardless of his age. During his life in the Western Qin Dynasty, he witnessed the profound disasters of the people, was filled with emotion and indignation, squandered all his wealth, tried his best to provide disaster relief, and finally died of overwork. After his death, "Guanzhong people mourned for their parents" (Biography of Yuan Zhang). Tongguan Nostalgia was written on the way to raise Guanzhong.

Edit this paragraph

works appreciation

This Sanqu is nostalgic from Tongguan, expressing sympathy for the broad masses of people. "Xing, people suffer; The sentence "Death makes the people suffer" tells the main idea of the whole paper and reveals the essence of the rulers' oppression of the people.

biographical notes

Zhang visited Tongguan ancient castle on his way to Shaanxi, and wrote this lyric masterpiece after thinking about it. The first three sentences describe what you saw and heard when you boarded Tongguan, from far to near, which is not only a description of the scenery, but also a lyric, implicitly expressing the ups and downs in your heart. "Gathering" and "Anger" describe the dynamics and spirituality of mountains and rivers, outline the grandeur of mountains and the rushing trend of water, and strongly contrast the author's sadness of mourning the past and hurting the present. The four themes of Looking at Xijing are nostalgia. Facing the ruins of the former imperial capital, the author fully imagined and highlighted the historical changes. The last two sentences hit the essence of the rise and fall of dynasties in feudal society The author reveals the tragic fate of the people from the comparison of historical transformation and rise and fall, which is not only a summary of history, but also a reflection of reality and deepens the ideological content of the whole song.

The poet stood on the mountain road of Tongguan fortress, with Huashan peaks in front of him and the torrent of the Yellow River at his feet. The river roared in the canyon, like a group of furious and crazy herds. The peak is crowded and uneven, as if it were gathered here for inspection. Tongguan, the majestic and dangerous Tongguan, is a battleground for ancient strategists!

Thinking of ancient times, the poet can't help looking west. Three hundred miles west of Tongguan is Xijing Chang 'an. From Qin and Han Dynasties to Sui and Tang Dynasties, several dynasties established their capitals in that area. In the sunset, the poet saw nothing, but in his mind, he saw the majestic ancient capital and magnificent palaces. There used to be many emperors and generals, and heroes leaped in the dragon and tiger, which was a great shock. Now all of them are gone, leaving only a piece of loess. Looking west at Chang 'an, I'm really confused!

Is the poet just sad because "all the palaces make dirt"? No, what saddens him most is people of all ages. Regardless of the Qin, Han, Sui and Tang dynasties, despite the change of dynasties, the suffering of the people has never been eliminated. "Xing, people suffer; Death, the people suffer! " This is a general comment on thousands of years of history.

These trilogy, from Tongguan fortress to ancient capital Chang 'an, from ancient capital Chang 'an to the rise and fall of past dynasties, are hundreds of miles away and last for more than a thousand years. In the end, it boils down to a phrase "the people are suffering", which is repeatedly recited, with both the artistic conception of landscape poems and the vision of historians.

Literary background

In the ancient literature of China, the Song Dynasty not only inherited the Tang poetry and formed its unique characteristics, but also had the rise of Ci. In the Yuan Dynasty, another emerging genre was Qu. Qu can be roughly divided into two types: one is opera and the other is Sanqu. Sanqu has no movement and is easy to sing, including divertimento and poem. The divertimento consists of several tunes, and the poem takes one tune as an independent unit. A poem is limited to one poem. If two or three poems are combined into a unit, it is called a ribbon. The "goat on the hillside" on the title is a poem with a title.

Main idea

At this time, the author is marching on the road to Tongguan. He saw the peaks and waves with his own eyes, and both "Ru Ju" and "Ru Nu" infected the author's feelings. The reason why the author is unhappy (hesitant) is that disasters occur frequently and people suffer.

This poem was written in, when there was a drought in Guanzhong, and Zhang was called to Shaanxi to be an official. He passed through Tongguan on his way to his post, which triggered a memory of ancient feelings and showed the author's concern and sympathy for the sufferings of the people. This well-known poem reveals an irrefutable truth with a profound historical vision: "prosperity, people suffer;" When you die, the people suffer. " That is, no matter how the feudal dynasty changed, innocent people suffered in their wars for cities and land. It is like a red candle with a high fever, which illuminates people's eyes and makes people realize that it is a symbol of feudal regime, and its construction is built by the bones of countless people; When it collapsed, countless people's bones made its sacrifices. This is its shining brilliance. As for the accurate casting, vivid modeling and strong lyrical color, it is the rest.

Zhang's "Goat Tongguan Nostalgia" skillfully combines the topography and history of Tongguan to express his feelings in the landscape. Taking Tongguan as the witness of history, it issued a heavy voice: "Xing, the people suffer; Death, the people suffer. "

"The mountains and peaks are like gathering, the waves are like anger, Tongguan Road, both inside and outside the mountains and rivers, overlooking the west, wanting more. Sad Qin and Han dynasties, ten thousand palaces have been made of earth. Xing, people suffer, death, people suffer. "

Writing comprehension

This article is written in depth, from scenery to homesickness to discussion. The perfect combination of profound meaning, depressed feelings, magnificent scenery, sincere feelings and incisive arguments makes the whole song have a strong artistic appeal. The poem of this Sanqu is full of historical vicissitudes and a sense of the times, which not only highlights the characteristics of homesick poetry, but also has a melancholy style.

background material

1 Zhang is a famous Sanqu writer in Yuan Dynasty, who can write poems, especially Sanqu. His Sanqu mostly writes about pastoral seclusion and touches the society. He wrote a volume of Trang Van's Seclusion in Little Yuefu, which is mainly his works during his seclusion, reflecting his desire to live in seclusion and sometimes revealing his dissatisfaction with officialdom. In his later years, he witnessed the sufferings of the people and wrote some works that exposed the darkness of society and sympathized with the sufferings of people's livelihood, with high style. This song "Goat Tongguan Nostalgia" is one of them.

2. Goat Tongguan Nostalgia was written by the author when he passed through Tongguan. Zhang Chuan of the Yuan Dynasty said: "In the past two years, there was a great drought in Guanzhong, and the hungry people ate each other. In particular, Zhang was invited to visit Shaanxi Taiwan. Heaven, help the hungry and bury the dead. " Zhang wrote this poem "herding sheep on a hillside" during the drought in Guanzhong.

Artistic feature

(1) Move and write quietly, giving things a choppy momentum.

(2) Scenes blend and love because of the scenery. This poem is rigorous in structure, clear in level, vivid in image, magnificent and far-reaching in conception. Reading poetry seems to make people see the image that the poet looks at Chang 'an from afar, hangs on the past and cares about the sufferings of the people. From the ideological and artistic point of view, it is not uncommon in the Yuan Dynasty Sanqu.

The combination of reality and reality describes the geographical characteristics of Tongguan at that time. With a gathering of anger, the rocks in Huashan Mountain and the waves of the Yellow River rolled, looking back at history, lamenting the rise and fall of history, skillfully combining the scenery in front of us with the history of Tongguan, setting off the changeable history with the unchanging scenery, taking Tongguan as a historical witness, revealing the struggle of feudal rulers' personal interests, bringing people suffering and expressing the author's sympathy for the people.

The influence of later generations

Wen Tianxiang, the author of Crossing the Zero Ding Yang, wrote this poem on 1279, when crossing the Zero Ding Yang in the first month. The poem outlines one's own life experience and destiny, showing impassioned patriotic enthusiasm, noble moral integrity and giving oneself up for righteousness, which is the highest expression of the traditional virtues of the Chinese nation.

It is a masterpiece that is famous for Changhong and enlightens future generations. In particular, "Who has never lived or died since ancient times, keeping the heart of a child in the history of history" has influenced generations of patriots and the general public. Since the May 4th Movement, in War of Resistance against Japanese Aggression, in China, in Nanyang and overseas, whether in literary creation, drama performance or song singing, we can often see articles that stimulate national sentiment, such as Crossing the Ocean in Dingding. It has profound inspiration and far-reaching influence on the moral integrity of later generations and the sincere feelings and literary talent in literature.

Creation background

Duanzong inherited the throne.

In the second year of Deyou (A.D. 1276), Zhao Yong ascended the throne in Fuzhou and changed his name to Jingyan, which was the end of the sect. Guangjin was named Wang Wei. Wen Tianxiang was the commander-in-chief of Tang Tang and various military forces. Wen Tianxiang opened a yamen in Nanjian Prefecture (now Nanping, Fujian Province), and many civilian military commanders, local celebrities and loyalist staff officers from Fujian, Guangdong and Jiangxi provinces came to defect. Wen Tianxiang also sent people to raise salaries, and soon formed a government army, which was much larger in scale and momentum than the loyalist in Jiangxi last year. However, the ministers of the DPRK and China could not deal with the enemy with one heart and one mind, which became a major hidden danger in the military action against the yuan.

government-in-exile

In October of the second year of Deyou, the court ordered Wen Tianxiang to send troops to Tingzhou (now Changting, Fujian), but he was defeated. Under the attack of the Yuan Army, Nanjian County also fell into the enemy, and Fuan (Fuzhou) lost its barrier. Zhang Shijie, the Prime Minister Chen and his deputy, panicked and hurriedly escorted Duanzong and Dengzhou to the sea to avoid the soldiers. Fu 'an Prefecture immediately fell, and the small court in the Southern Song Dynasty became a government in exile at sea.

Take the lead in Gannan

At the beginning of the second year of Jingyan (1277), the Yuan army advanced on Tingzhou, and Wen Tianxiang retreated to Meizhou, Guangdong (now Meizhou, Guangdong). After rectification, we set out from Meizhou in May and started the campaign to recover Jiangxi. Under the leadership of Wen Tianxiang, Jiangxi's military action against Yuan was in full swing. Rebels from all sides cooperated with the governor's army and fought in Huichang, Du Yu, Xingguo, Fenning, Wuning and Jianchang respectively. Volunteers from Linchuan, Hongzhou, Yuanzhou and Ruizhou came to ask the governor for restraint. Wen Tianxiang unified deployment, troops swept through southern Jiangxi, recovered a large area of land.

Be defeated and captured

In August of the second year of Jingyan, the Yuan Army launched a large-scale attack. Due to the lack of combat experience and strict training, the combat effectiveness of the governor's army is not strong. Under the fierce impact of the cavalry of the yuan army, the ending was very miserable. Civil servants and military commanders were either killed or arrested, and there were only three people left in Wen Tianxiang's family, old and young. Although Wen Tianxiang suffered heavy losses due to the destruction of the country and the separation of his wife and children, it did not shake his will to resist Yuan. He led troops into Guangdong and continued to resist Yuan in Chaozhou and Huizhou. On December 20th, the first year of Xiangxing (1278), Wen Tianxiang was unfortunately captured by the Yuan Army who attacked on Wupoling. He committed suicide by swallowing two brains (that is, borneol), but the medicine was useless and he didn't die.

Guo yang

Zhang Hongfan, marshal of the Yuan Dynasty, led amphibious troops south to Guangdong, completely destroying the government in exile in the Southern Song Dynasty. Wen Tianxiang was escorted by their warships to Lingdingyang (now Guangdong Province) outside the Pearl River Estuary. Zhang Hongfan sent someone to ask Wen Tianxiang to write a letter to Zhang Shijie. Of course, Wen Tianxiang refused to write to You, but wrote a seven-character poem to express his mind.

The thoughts and feelings expressed by the tail connection

Main idea

The author of this poem expressed his great ambition and heroism of worrying about the country and the people and dying for the country by recalling his difficult experience of resisting the Yuan Dynasty. It makes people feel sad and fascinating. It not only expressed his thought that he would never surrender to the Yuan Dynasty, but also showed that he should be loyal and always think about the wishes of his country and people.

When did the moon begin to appear?

Su Shi in Northern Song Dynasty

When did the moon begin to appear? I take my glass from a distance. I wonder what year it is today. I'm willing to ride the wind to the sky, I'm afraid I can't stand the cold for nine days in a pavilion of fine jade. Dance to find out what shadows look like on the earth.

The moon turned into a scarlet pavilion, hanging low on the carved window, shining on the sleepy self. There should be no hate. Why should we be happy? People are sad and happy, and they are separated and reunited. The moon will darken or shine, and it will become round or round. Nothing is perfect, even in the past. I hope people will live for a long time and have a good scenery thousands of miles away.

Main idea

Through the description and imagination of the scenery in jathyapple during the Mid-Autumn Festival, this poem expresses the infinite yearning for relatives and the poet's broad-minded mind that he does not suffer from setbacks and parting.

Writing background

The word Su Shi was written by the author of Mid-Autumn Festival in Xining, Song Shenzong when he was in Mizhou. Su Shi in this period, because of his different political views from Wang Anshi, a political reformer in power, sought liberation and went around as an official. He once asked to be transferred to a place near Su Zhe to be an official, so that his brothers could get together more. After arriving in Michigan, this wish still cannot be realized. In this year's Mid-Autumn Festival, the moon is bright and Yin Hui is everywhere. It has been seven years since we parted from our younger brother Su Zhe. At this moment, the poet is facing a bright moon, and his heart is full of ups and downs, so he wrote this famous article with the strength of wine. The preface explains the process of writing: "Chen Bing Mid-Autumn Festival, drunk, drunk, writing this article, pregnant." Obviously, this word reflects the author's complex and contradictory thoughts and feelings. On the one hand, it shows that the author has great political ambitions. Although he is 4 1 year-old and politically dissatisfied in Mizhou, which is far away from Kyoto, he is still full of confidence in reality and ideals. On the other hand, because of political frustration, ideals can't be realized and talents can't be displayed, so they have a strong dissatisfaction with reality and breed negative thoughts and feelings of escaping from the world. However, what runs through the whole poem is the optimistic spirit of loving life and being positive.

translate

When will the bright moon appear? I asked the sky with a cup. I don't know what year and month it is in the celestial fairy palace.

I want to go back to the sky in the breeze (as if I came down from the sky, so I said "go home")

I am afraid of coming to the beautiful moon palace made of jade, and I can't stand the cold in the sky (the legendary moon palace is called Guanghan Palace).

In imagination, dancing to the moon, the shadow is clear with people, as if riding the cloud against the wind, being in the sky, where is the upper body on earth!

The moon turned the scarlet attic and hung low on the carved window, shining on people who were not sleepy.

The bright moon shouldn't have any resentment against people, but why is it round and bright when relatives leave?

People have changes in joys and sorrows, and the moon also has changes in sunny and rainy days. This kind of thing has been difficult to be comprehensive since ancient times.

I only hope that the people I miss will live a long and healthy life. Although they are thousands of miles apart, they can enjoy the beautiful moon.

Shanyang Tongguan nostalgia

Zhang (yuan)

The peaks are like gathering, the waves are like anger, and the mountains and rivers are like Tongguan Road. Looking at the western capital, I hesitated. Sad Qin and Han dynasties, ten thousand palaces have been made of earth. Xing, the people suffer; Death makes people suffer.