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What are the female painters in history?
Miao Jiahui, the word Suyun, was a court painter in the late Qing Dynasty. She is one of the important little people around the supreme ruler in the later period of Empress Dowager Cixi's rule.

Zeng Lanfang, the daughter of Zeng Jingfu, a Qing Xianfeng juren in Zhenxiong County, studied classics and calligraphy under the strict education of her parents since childhood, especially in flower-and-bird Chinese painting, with neat brushwork and delicate description.

Guan Daosheng (1262~ 13 19), a native of Maoshan Village, Deqing County, was a famous female calligrapher, painter and poet in Yuan Dynasty. Guan Daosheng was smart since he was a child and was good at poetry and songs, so he married Zhao Meng? \, conferring the title of Mrs Wei. Yuan Yanchang died on May 10th, 2006 and was buried in James (now Dongheng Village, Luoshe Township). He is good at drawing ink bamboo with clear brushwork. He also created landscapes, Buddha statues, poems and calligraphy. He is the author of Chronology of Zhu Mo (1). Handed down from ancient times, the works include the Water Bamboo Scroll, Autumn Deep Post, Embroidered Buddha Map on the Mountain Building, Changming Temple Map and so on. Zhao Meng? \, Zi Zi Ang,No. Song Xue, he is quite accomplished in calligraphy and painting, Zhao Meng? An official who lives in Jiangsu and Zhejiang is a senior cultural official.

Liu (16 18- 1664), whose real name is Yang, whose real name is Aier, whose real name is He, is from Wujiang, Jiangsu. In her early years, she was a famous prostitute in Nanjing, and later became the concubine of the chief Qian. She has a wide range of books and paintings and is a close friend of Huang's poems and paintings. Although Liu is very talented, few paintings have survived.

Gu Mei (16 19- 1664), a native of Shangyuan (now Nanjing, Jiangsu), was born beautifully. Qinhuai famous prostitute, later the concubine of Jinshi Gongdingzi in Chongzhen period (word), changed her surname to Xu, named Shancaijun and Meisheng, and called Mrs. Heng Bo. She is both talented and beautiful, good at poetry and painting, and familiar with melody. In particular, Moran, who is famous for painting orchids, is regarded as a unique figure, which is indistinguishable from Ma Shouzhen who is famous for painting orchids. In the Qing Dynasty, Zhang Geng's "Guo Chao Hua Ji" said: "Gong Mo Ran is independent of his own will and does not attack the law of the former dynasty." The paintings of ancient female painters, whether boudoir or prostitute, were not taken seriously. One of the reasons is that they lack enterprising spirit in their creation. It is rare that Gu Mei painted orchids without attacking his predecessors.

Li Yin (16 10- 1685) was born in Qiantang (now Hangzhou, Zhejiang). In her early years, she was a famous prostitute in Jiangsu and Zhejiang, and later married Miss Ge Zhengqi of Guanglu Temple as a concubine. She is good at writing landscapes, flowers and birds. Mi Fei and Mi Youren, the father and son who used landscape paintings in the Song Dynasty, were stained with pen and ink, "hiding trees and stones with clouds". On the basis of Chen Chun's freehand brushwork style in the middle and late Ming Dynasty, flower-and-bird painting also takes nature as a teacher and draws inspiration from life. In the end, she avoided the shortcomings of female painters, such as stingy composition and delicate brushwork, and was praised by people at that time for her natural and unrestrained artistic style.

Wen Chu (1595— 1634) was born in Changzhou (now Suzhou, Jiangsu). Wen Congjian, a painter in Ming Dynasty, was the great granddaughter of Wen Zhiming, and was good at painting flowers, plants, insects and butterflies. Flower and bird painting is the most popular theme for female painters. Because of women's delicate feelings, unique preference for flowers and birds, and aesthetic interest in flowers and birds, women are deeply centered, showing the most common flowers and birds in life, forming a certain creative scale. Wen Chu is one of the most representative painters. At the end of Ming Dynasty, Qian Qian B spoke highly of the art at the beginning of Wen: "The stippling sketch is innovative, and the painter thinks this dynasty is unique." In the Qing Dynasty, Zhang Geng gave Wen Chu a higher praise in "Painting Symbols for the Continuation of Chinese Dynasty": "Wu Zhong Ya Jia Gong Dan Qing has been unique for 300 years."

Xue Susu (date of birth and death unknown), whose real name is Runniang, whose real name is Runniang. She is a famous prostitute in the south of the Yangtze River who is handsome in appearance and omnipotent in poetry, painting, calligraphy, flute, chess, horse and embroidery. Her accomplishments in painting enabled her to walk calmly into the pen and ink of literati. She "is especially good at orchid and bamboo, and writes quickly, each with its own point." Although famous painters are good, they can't pass. "(Hu Yinglin" A word ")

Fang (1585- 1668) was born in Tongcheng (now Anhui). The creation of figure painting is very rich in the works of female painters, including lady painting, religious figure painting and works reflecting male social life. Among them, there are the most Buddhist paintings that show the doctrine of saving the suffering. Since women are trapped in human suffering, they naturally long for liberation. Fang's fate was so bumpy that she painted Guanyin and Luohan statues for the purpose of helping the poor all her life to seek spiritual sustenance.

Ma Shouzhen (1548- 1604) was born in Moonracer, alias Lan Xiang and Jinling (now Nanjing, Jiangsu). Qinhuai famous prostitute is smart and alert, good at poetry and painting, and attaches importance to wealth and righteousness. He traveled around the world, especially with one of Wang's scholars. Ma Shouzhen is famous for his skills and expertise in drawing orchids in Jiangnan, so he is called "Ma Xianglan". His works do not pay attention to the detailed description of Lan's external form, but pay attention to expressing his inner escape through the description of Lan. The orchids in her works have many similarities with male literati painters, especially the middle-class flowers in "Wu Pai", which reflects the prostitute's catering and inheritance to male literati painters.

Life is unknown and he is good at creating figure paintings with the sketching methods of Song and Li. The lines are soft outside and rigid inside, which is expressive.

Zhu Qiu (date of birth and death unknown) was active in the middle of Ming Dynasty, taking the folk history of Ling Du as his name. He was originally from Taicang, Jiangsu, and lives in Wu Jun. When women were bound by the feudal ethics, they had no political status, were not independent in economy and were not independent in marriage, their painting art was not concerned by the society, and only in professional books were there simple and repeated records about them. People only know that she is the daughter of a painter in Wu Pai. She watched her father draw when she was young, and gradually learned to use pen and ink. Deeply influenced by Chou Ying's meticulous figure painting style, he is good at drawing ladies' paintings, with meticulous brushwork, bright colors and not kitsch and impetuous.

Fu Daokun (date of birth and death unknown) was born in Huiji (now Shaoxing, Zhejiang). Influenced by a good family cultural environment since childhood, he likes books and is good at painting. "Yougong landscape, famous paintings in Tang and Song Dynasties, realistic copying, beautiful brushwork, high spirits, salty management, madam." (Ming Jiang Shaoshu's History of Silent Poetry)