Zhuangzi was drunk. Like Kun Peng, he saw himself turn into a butterfly and flew away, forgetting that he was Zhuang Zhou. I woke up and felt like Zhuang Zhou again. Liu Ling was born to love wine, and went out to drink with a coffin, which was bizarre, just like Kafka's "strange pen and lonely soul".

"When you wake up, you just sit in front of the flowers, and when you are drunk, you sleep under the flowers. Half drunk and half awake day after day, flowers bloom every year. " Liu Ling is only six feet tall, that is, one meter four, and she is extremely ugly. But he is bold, broad-minded, unrestrained and informal, and likes to play alone. He often rode a deer cart with a pot of wine and ordered his servant to follow him with a hoe, saying that if he died drunk, he would be buried on the spot. When traveling in southern Shandong all the year round, he died of drunkenness and was buried in Liu Yao Village in the northeast of Fengcheng. According to local legend, Liu Ling had drunk Dukang wine in Fengcheng, and she was as drunk as a fiddler for three years. Therefore, there is a saying that "Du Kang brewed wine and Liu Ling was drunk to death".

Liu Ling never associates with others, is silent and indifferent to the world. She is only closely related to Ruan Ji and Ji Kang, and when they meet, they are laughing and very speculative. Ji Kang, Ruan Ji, especially Liu Ling, and ........................................................................................................................................................., the fanatics who drink and pursue drunkenness, are all full of alcohol and extravagant. These hobbies are probably closely related to their times. During the Wei and Jin Dynasties in Europe, which was close to the Middle Ages, the society was dark and horrible, and the people complained bitterly and dared not speak out. Therefore, drinking has become a good medicine for literati to vent their inner dissatisfaction and depression, and wine has become the ornament of literati's loneliness, and only wine is the comfort of their souls' short rest.

Some people say that Liu Ling's job is to drink. Of course, this is a bit extreme, but he is famous for drinking. According to "Water Margin", "Liu Ling greedily drinks on the wall, while Li Bai hands the cup to the window." Li Bai is known as "Poem of Fighting for Wine" and "Brewmaster", while Liu Ling, as a celebrity among the "Seven Sages", is obviously a little different. He has neither Ji Kang nor Ruan Ji's outstanding talent, nor has he left any well-known words, and he has no accomplishment like Dan Tao and Wang Rong. Throughout his life, he only wrote a ode to wine and virtue. Therefore, when it comes to Liu Ling, there seems to be only one word-wine. Liu Ling is almost the only person in the history of China who is famous for drinking. Liu Ling drank this delicious wine and gave himself a name. He can squeeze into the "Seven Sages of Bamboo Forest", ranking last. He must be a little drunk. Therefore, when future generations talk about wine, they will think of Liu Ling. I don't think anyone knows more about wine than him.

Liu Ling regarded wine as a religion and almost worshipped it. "Seven Sages of Bamboo Forest" says: "The singer wanders between heaven and earth, and has no definite intention." In Ode to a Wine Virtue, Liu Ling declared: "I want to walk without a trace, live without a fixed place, and the sky is on the ground." Take the ladle when you stop, and carry the pot when you move. Only wine is a service, and you will know the rest thoroughly ... if you are carefree, you will be happy. I was drunk, but I woke up in a panic. I listened to the thunder, turned a blind eye to the shape of Mount Tai, and felt neither hot nor cold. Overlooking the disturbance of everything, such as duckweed in Jianghan "Liu Ling's bohemian character is like the chivalrous man in Jin Yong's novels, much like Liu Zhengfeng in the martial arts drama the legendary swordsman.

More than ten years ago, the first scene in the film seemed to be vivid: Liu Zhengfeng, played by a short and weird noon horse, rocked a boat and drifted leisurely on the boundless sea, stirring up the surging tide on both sides of the strait, accompanied by the smell of Weng Tao wine, singing the loneliness and chic of the protagonist's wandering life in unison. What is even more intoxicating is the exciting atmosphere and indifference to secular life. James ·J·s· Wong shook the open river with his screams and screams, and every syllable was like a hard stone, throwing his tenacious voice into the river. Although the lyrics are not very beautiful, James J.S.Wong's voice is deep and sharp, with a little hoarse, not decadent, but shocking and carefree.

Li Bai once said that Ruan Ji was a satrap and rode a donkey to Dongping. Sentenced to bamboo for more than ten days, once the wind clears. He often travels alone and is famous for crying at the end of the road. Especially in the foggy mountain, after crying, I sighed for ages: "There is no hero in the world, and I am famous!" Li Bai and he are not contemporaries, but why do you know that Ruan Ji rode a donkey to Dongping? Probably because Li Bai likes him and belongs to the same type of person.

Compared with Li Bai, Ruan Ji feels a little neurotic, and Ji Kang, who is just as famous as Ruan Ji, is even more neurotic, that is, the "scattered middle" who took the tragic Song Guangling to the guillotine. At that time, three thousand bachelors asked him to be a teacher, and Ji Kang was expected not to be beheaded, but Si Mazhao refused. Before the execution, Ji Kang smiled, sat on the piano and died peacefully. But I don't understand why Ji Kang was so angry that he wrote "Breaking up with Shan Juyuan". For honest and upright Dan Tao, he is so arrogant. I always thought Ji Kang was really a little too angry at that time, otherwise he must have been drunk. Lu Xun also likes Ji Kang very much. Maybe he has the same temper as Ji Kang's donkey. They are all representatives of "official history literature" with sharp and pungent styles. Mo Yan's novel writing is unrestrained and the writing is very conquering. I wonder if he is also deeply influenced by the "Seven Sages of Bamboo Forest". Later, because of his youth, Lao Mouzi often wandered in his 50-mu sorghum field. So from Mo Yan's novel Red Sorghum, he quickly entered the role in the play: "My grandmother" was nineteen years old and brewed an altar of sorghum wine from the sorghum field. Then, "my grandma" wore a red hooded red cotton-padded jacket and red cotton trousers, and had a passionate fight with the masked man in the red sorghum field in Wang Yang. Probably Laomouzi drew real juice and inspiration from the strong and mellow sorghum wine.

Liu Ling's nervousness lies in his bizarre indulgence, dissolute absurdity and cynicism. Liu Ling regards the sky as a tent, the clouds as a quilt, the ground as a mat, the sun as a door and the moon as a window. How rich Liu Ling's imagination is! How magnificent the momentum is! Liu Ling is addicted to drinking. Once, wine was in a good mood. Just a man pushed the door and came in. When he saw him staying naked in the room, he laughed at him for being too tacky and rude. On a whim, Liu Ling said, "I regard heaven and earth as my house and the house as my pants. Who told you to get into my crotch! " "

Liu Ling is really a very eccentric person. Of course, he is also a person with a good sense of humor. You see, when dealing with people who make fun of him, he conveniently carried all those metaphysical things on his back. The world is vast, and it is really desolate for people to live in the vast universe, and they have to get a tiny residence in this empty space. Only by living in this narrow space can they feel the stability of the world and the glory of the sun and the moon. I really don't understand, Liu Ling, this short and ugly strange man, it seems that the vast universe can't hold his ordinary body!