The new China film begins with 1949, and the first film bridge is based on the liberated working class. Excellent feature films such as White-haired Girl, Iron Warrior, Shangrao Concentration Camp, Biography of Heroes of New Children, Red Flag of Cuigang, My Life and Corrosion were filmed in a short time. However, because the guiding ideology of film creation overemphasized the political propaganda function of the film, there was a tendency of single theme. Criticism of Wu Xunchuan and other films has dampened the enthusiasm of some creators, resulting in stiff creation and decreased production. 1953, in order to change this situation, the relevant leaders proposed to improve the leadership methods, encourage artists to give full play to their respective strengths, and comprehensively reflect the history and reality of the revolution. From 65438 to 0956, Comrade Mao Zedong put forward the policy of "letting a hundred flowers blossom and a hundred schools of thought contend" to develop socialist literature, art and science. In order to implement this policy, the film bureau has carried out reforms in guiding ideology, leadership and system, and achieved positive results. The annual output of feature films increased from more than 10 in 195 1 year to more than 40 in 1957. 1957, the Ministry of Culture held the first meeting in People's Republic of China (PRC). Awards were given to films made by 1949 ~ 1955, such as Northern War, Taking Huashan Mountain, Crossing the River, Chicken Hair Letter, Dong Cunrui, Blessing, Li Shizhen, Magic Pen (art film) and Freshwater Fish Breeding (science and education films from 65438 to 0957). 1958 filmed a lot of movies to promote some false "new things" in the Great Leap Forward, which once again interfered with the creation of movies. Soon, the central authorities gradually corrected the "Left" errors in the Great Leap Forward, and Zhou Enlai also put forward the requirement that the film industry should pay attention to the film quality, which prompted the film industry in China to form a prosperous period in 1959, and filmed Lin Zexu, Nie Er, Wan Shui Qian Shan, Song of Youth, Lin Jiapu and new biographies of veterans. But soon, in the anti-rightist movement, the film industry criticized the so-called bourgeois theory of human nature and humanism. Coupled with three years of natural disasters, film equipment is seriously inadequate, and film production is gradually declining. 196 1 The Ministry of Culture and the Propaganda Department of the Central Committee of the Communist Party of China reaffirmed their firm commitment to the policy of letting a hundred flowers blossom, corrected the "Left" trend of thought that violated artistic laws and criticized and intervened in literary and artistic creation simply and rudely, and formulated some management regulations to improve literary and artistic work and film work. In the early 1960s, the film was on the right track and reached 1965, which formed the second climax of film creation after the founding of the People's Republic of China, resulting in the Sino-Japanese War, the revolutionary family, the Red Flag Spectrum, stage sisters, Private Zhang Ga, heroes and sons, serfs and Dr. Bethune. At the same time, the number of film projection units has increased from more than 400 in 1949 to 20,363 in 1965. As of 1965, China Film Distribution and Projection Company * * * released 12 13 long and short films. China's own film industry has also reached a considerable scale, which can produce printing, recording, photography, projectors and other equipment and equipment, and basically achieve self-sufficiency. But 1966, the Cultural Revolution broke out and the film industry blossomed.