Current location - Music Encyclopedia - Chinese History - What is the relationship between Yang Yuhuan and Xie Aman in history?
What is the relationship between Yang Yuhuan and Xie Aman in history?
I think it's just a master-servant relationship.

I wonder if what I said on TV is credible.

In the heyday of the Tang Dynasty, she was a famous prostitute who could sing and dance, and also a famous court dancer in the Tang Dynasty (717-about 757). Xinfeng people in Lintong, Shaanxi. Originally a folk artist, he later entered the DPRK. Dragon girl who is good at Lingbo dancing, performs Zhongwei Palace Guard in Lingbo Pool and dances lightly on the undulating water. This dance was created by Li Longji, Emperor Xuanzong of the Tang Dynasty. Yang Guifei played the pipa, Wang Ning Li Xian played the flute and Li Guinian played the cymbals. Yang Guifei gave her a precious armband, and she became friends with Red Millet and Jade Arm. During the Anshi Rebellion, she went to the folk. In the summer of 757, she went to the palace to meet Emperor Xuanzong of Tang Dynasty, and then she danced Lingbo.

According to the biography of Yang Taizhen, the history of the Song Dynasty, Emperor Xuanzong of the Tang Dynasty gave a performance in the small hall of the Qing Dynasty, and Xie Aman was invited to perform "Ling Bo Qu", accompanied by experts. Wang Ning (Li Xian, the elder brother of Emperor Xuanzong of Tang Dynasty) played Yu Di, while Emperor Xuanzong personally played Jiegu, known as the "Eight-tone Leader", and Yang Guifei played the pipa. The horse knocks on the square ring, blows the bamboo pole, and Zhang Yehu blows the bamboo pole. The band composed of these excellent performers can be imagined.

Xie Aman floated onto the stage in the beautiful voice, performing solo dance, soft dance and light dance, like floating clouds in the air and thin water, showing the fairy in the Dragon Palace dancing on the waves. It can be said that "socks are all gray, but who has seen that graceful posture at that time"? Tang Xuanzong was overjoyed, and Yang Guifei, a good dancer, also praised him. She lifted her sleeves, took off the golden millet armband on her arm and gave it to Xie Aman as a souvenir. Ming Taizu Miscellaneous Notes by Zheng Chuhui in the Tang Dynasty also wrote: Xie Aman, a female singer, was good at dancing Lingqubo, leaving the palace and entering her aunt. The princess treated her very well and gave her an armband inlaid with gold millet. This shows Xie Aman's favored position in the palace because of his exquisite skills.

After the An Shi Rebellion, many musicians and dancers in the palace lived among the people. In the first year of Tang Suzong Hengli (758), Li Longji, who was the emperor's father, sent Gao Lishi to find musicians and dancers in the palace, such as Zhang Yehu and Xie Aman, and returned to the palace.

Li Longji is downstairs in Wangjing, and Zhang Yehu is playing Rain. Li Longji looked around in despair, but he couldn't feel his tears. He asked Xie Aman to dance "Ling". After dancing a song, Xie Aman showed her the golden millet that Yang Guifei gave her. Seeing things and thinking about people, Li Longji cried sadly: "See you today, happy and sad!" When Li Ang, a poet of the Tang Dynasty, came of age in Tang Wenzong, he visited and collected anecdotes in the palace. He recited a seven-character poem entitled "Poems on the Golden Sheep Gate", including a line "ying niang sings gracefully, and Maner dances with Jinhua". He said to himself, "ying niang and Maner are disciples of the pear garden. In the "Actor" section of Chapter 7 of Tang Doudou, I noticed that the savage in Zheng Lang's poem was Xie Aman.