Overview of ancient men's scarves in China Before explaining men's hairstyles, let's explain the rules of different hairstyles at two different ages. Eight-year-old total angle: In ancient times, children tied their drooping hair into two knots on the top of their heads and tied their hair into a bun, which was shaped like an angle, so "total angle" was also used to refer to people's early childhood. Borrowed from childhood. Here, "total" means coalescence. A good friend I have known since I was a child. The total angle is a teenager between the ages of eight or nine and thirteen or fourteen (ancient children divided their hair into left and right halves and tied it in a knot at the top of their heads, which is shaped like two horns, so it is called "total angle"). 20-year-old hair: tie your hair, tie your hair. In ancient times, men tied their hair and were crowned at the age of 20, and women tied their hair at the age of 15, indicating adulthood. The signs of masculinity of men and women are "coronation" and "coronation" respectively. Weak crown: The ancients were crowned at the age of 20 to show masculinity, but they were not yet strong, so they were called "weak crowns". Later generations generally refer to the age of men in their twenties. Bundle hair-also called bundle hair: silk used for bundle hair. It is two feet two inches wide and six feet long. An ancient ruler is about 23 centimeters today. Poetry says: the crown is in danger and full of braids. Always: consider it a slap. It is based on hair, but it is hung on the hair, thinking it is decoration. Children have a hairstyle called total angle, total angle and beam; Niujiao, a small bun, means sending and receiving knots, that is, the way children's buns are separated upwards, commonly known as xiaoya's horn, so childhood is called "the general horn" and "The Book of Rites"-"Men and women who are broken before the crown, the first crow of the chicken, salty washing, combing, slapping (Xi), the general horn and tassel are all smelly and fragrant." This means that underage children should get up and wash their hands, comb their hair and tie their hair with black silk when the rooster crows, that is, when it is just light. Brush the dust off your hair, comb it into two upward-separated buns, and let the rest of your hair hang down to the sides until it reaches your eyebrows. Tie a colorful ribbon (tassel) around your waist and wear a sachet made of cloth and silk, which contains spices (smelly). Crown scarf-The ancient society in China was hierarchical, and the level of class status often determined human dignity. Crown, a hat worn by ancient aristocratic men. The ancients had long hair, then tied the bun with a hairpin and wished it with a crown beam. It is said that the crown beam is not very wide and wrinkled, and the two ends are connected with the crown ring. When put on, the crown beam is like an arc-shaped belt, covering the head from front to back. There are tassels on both sides of the crown ring, which are two small ribbons that can be tied under the chin. The "crown" of the "new Mubi drama crown" in Sima Qian's Biography of Qu Yuan belongs to this shape. There are more than one kind of ancient dental crowns, and the materials and colors are different. After Qin and Han dynasties, the crown beam gradually widened and connected with the crown ring to form a cup shape, and the name and shape of the crown became more complicated. "The Story of a Nuclear Ship" by Xue Wei in the Qing Dynasty "There are three people sitting at the bow, and Dongpo is crowned in the middle." In fact, Emei Bo Belt is a feature of ancient emperors and literati costumes. The emperor's crown is called dragon crown. Women in the pre-Qin and Han dynasties did not wear crowns. After the appointment of female officials in the Tang Dynasty, women were crowned in the DPRK. In the Song Dynasty, aristocratic women wore crowns and queens wore crests. In the Yuan Dynasty, aristocratic women wore menstruation crowns, which were made of velvet and embroidered with pearls and jade, about one foot high. Crown is also the general name of crown and chemical industry. The black crown is one of the most distinguished ceremonial crowns. At first, emperors, princes and doctors all wore crowns when offering sacrifices, so "crowns" were also used as agents of officials. The shape of the crown is different from the general crown. Above the crown is a rectangular version called Yan, and below it is worn on the head. There is a string of small round jade hanging in front of Yan. It is said that there are twelve emperors with different numbers of princes. Later, only the emperor could wear the crown, so the "crown" was also called by the emperor. Poems such as "coat of many countries, bow down to the crown of pearls" and "crown" in Wang Wei's "The Works of Jia Zhi's Scheerers in Daming Palace" are borrowed from the emperor. In ancient times, nobles could ride in cars with crowns, and cars had hoods. So "crown cover" also refers to an official. For example, "Xin Lingjun stole the symbol to save Zhao" and "made it belong to Wei". The "crown cover" here represents the messenger, that is, wearing a crown to ride in the car to show the dignity of the messenger. Ai is also a more distinguished crown, which is divided into Jue Ai and Pi Ai. Knights just don't have crowns. Pige is a spire made of white deerskin, similar to the melon skin hat of later generations. The seams of deerskin are decorated with rows of sparkling jade, which looks like stars. Therefore, in the book of songs, Feng Weiqi is proud, there is a saying that "meeting like a star". When adding a headdress to a bun, put a long pin (different from a hairpin) through the bun, attach the headdress to the bun, and then tie a small ribbon at one end of the pin, bypassing the forehead, and then tie it at the other end of the pin. This ribbon is called "pin". A bead in front of each ear is an "ear". Remind the wearer not to listen to rumors. It is said that "turning a deaf ear" comes from this. It is not difficult to see from the above that the crown, crown and seal are all things worn by the venerable person and are symbols of dignity. Shu Ren has no money to make crowns and crowns, and the ruling class does not allow them to wear them. So what does Shu Ren wear? "Shi Shiming Jewelry" records: "Guan Shi, in Shu Ren." It can be seen that Shu Ren people can only wear scarves. What is a towel? "Jade" "Towels, shawls, were originally used to wipe things, and later generations put them on their heads." From this point of view, the "Shu Ren towel" is a kind of towel to wipe sweat when working, which can be used for both purposes or wrapped as a hat to wear on your head. Until the Han Dynasty, this kind of towel was still used by Shu Ren and hermits. Yuan Sui Jing Chen "The Return of Great Grandfather" "The newly brushed headscarf and the newly picked silk shirt are all big makeup." The "towel" here refers to Shu Ren towel. Hair towel, also called, has the function of pressing hair and fixing crown. Cai Yong in the Eastern Han Dynasty (arbitrarily) said, "Servants, humble deacons in ancient times are not crowned." This shows that ""was worn by those humble people in ancient times who could not wear crowns and could not afford them. Shu Ren is black or cyan, so the Qin Dynasty called people Qian Shou (money, black) and the Han Dynasty called servants Li Cang Tou (Cang, cyan). "Visible, towel is a symbol of Shu Ren's humble answer.

Hair towel, also called, has the function of pressing hair and fixing crown. Cai Yong in the Eastern Han Dynasty (arbitrarily) said, "Servants, humble deacons in ancient times are not crowned." This shows that ""was worn by those humble people in ancient times who could not wear crowns and could not afford them. Shu Ren is black or cyan, so the Qin Dynasty called people Qian Shou (money, black) and the Han Dynasty called servants Li Cang Tou (Cang, cyan). "Visible, towel is a sign of Shu Ren humble. Because it has the function of pressing the hair and strengthening the crown, the nobles also wore it later, but they still wear the crown on earth. This kind is high in the front and low in the back, with hair exposed in the middle. In addition, there is a more formal one, that is, people with houses (hats). You can wear this without a crown. Luo Guanzhong's "Hero's Biography Jiang Gan" has "fighting in the cloth robe, driving a boat to Zhouyu Village. "Put on the clock and slip out of the account." The headscarf made of "grid" and grid cloth, the next sentence refers to the same thing "grid" In fact, it was popular at the end of the Han Dynasty, not only used by literati such as Jiang Gan, but also by military commanders such as Zhou Yu and Yuan Shao to show elegance. Su Shi's "Niannujiao Red Cliff Nostalgia", "Feather fan nylon cloth, laughing and laughing, Balu ashes." The "black silk scarf" here is a headscarf made of blue silk, which Zhou Yu wears. Su Shi's "Huanxisha" also has the poem "Lai Lai's clothing towel falls on the jujube flower", which shows that the literati still had a hobby of wearing clothes until the Song Dynasty. However, according to their class status, we can infer that the colors, materials and shapes of literati are definitely different from those of Shu Ren people, and they will never be the same. Answer supplement

China ancient women's hairstyles There are many hairstyles in ancient figure paintings, especially the forms of ladies' hairstyles, and the changes are even more colorful. In ancient times, hairstyles for both men and women were relatively simple. Generally, the hair is tied up with bones at the top and then with wool, so the hair styles of both men and women are relatively simple and natural. According to records, men wear crowns when they grow up, and women wear them in a bun when they grow up. Men's hair bun is replaced by crowns, towels, hats, helmets, etc. While women's bun developed rapidly along the plump. According to records, Qin Shihuang believed in fairy tale art and worshipped fairy hair styles, which made the beautiful women in the palace wear a lot of colorful ornaments, making the hair styles varied, novel and unique, so they worshipped each other to imitate and innovate, making the changes and decorations of women's hair styles more colorful and luxurious. This worship continued in the subsequent dynasties, especially in the Han and Tang dynasties, and the decorative changes of hair styles became more exquisite and gorgeous. As recorded in Pinpin by Duancheng, there are more than 100 hairstyles created in this period, and Yuan and Ming hairstyles are not the main focus of aesthetics, and gradually tend to be simple and simple. The styles of high bun, thick clothes and bright ornaments are gradually decreasing. In Qing Dynasty, full braiding is the main style, long braids are the main style for men, and hanging bun is the main style for women. When we shape ancient figure paintings, especially ladies' paintings, we need to be more fastidious and supplemented with answers.

Hairstyle is an important decoration of women's head, which can increase the aesthetic feeling of appearance. The changes of ancient women's hairstyles are extremely colorful, handed down from generation to generation, constantly changing, from simple to complex, and from complex to simple, alternating back and forth. There are many records, including 100 recorded in Steamed Buns and Pins. These hair names are named after the meaning of hair style and jewelry. Although there are many nicknames, they can be summarized into several basic types according to their knitting methods and hairstyles, which are briefly described as follows: 1. This hairstyle is knotted, some stand on the top of the head, some lean to both sides, some spread flat, some hang down, and women's own hair is limited, and they often wear wigs. According to records, it is said that during the reign of Emperor Wudi of the Han Dynasty, the Empress Dowager Yaochi came to the court meeting, and all the fairies had different hairpins with lofty rings. The emperor ordered his courtiers and concubines to follow suit, hence the name "Looking at the fairy hairpin" (1), which was later decorated with various jewels, golden hairpin, wind hairpin or outing, making it even more magnificent and noble. This high-circle hairstyle, with one to nine hairstyles, is the most distinguished hairstyle, and is often used to express the hairstyles of fairies, queens, empresses and noble ladies in mythology (as can be seen from the hairstyles of eighty-seven immortals and jade girls in Yongle Palace murals). Girls who have never left the room can also use it, but the decoration should not be too gorgeous. This hairstyle was quite popular in the Qin and Han dynasties and the pre-Qin period. After the Han dynasty, it was worshipped as a fairy hairstyle and adopted by celebrities and ladies. Its forms are high, almost, hanging, overhead and both sides, and the number can be ligated at will, with many changes and flexible application. Answer supplement

2. Twist this is a hairstyle created in the late Han Dynasty. According to records, this was planned by Empress Zhen, and later became popular with each other. This hairstyle is to divide the hair into several strands, twist it into a ball like a twist and wrap it around the head. According to records, when Hou Zhen entered the palace, there was a green snake in the palace. When Hou Zhen dresses every day, she winds the snake and shapes it, imitating Hou Zhen's appearance and combing it into a bun. The daily steamed bun is different due to the snake-like change, so it is named "Lingshe steamed bun". This hairstyle is flexible, vivid and charming, suitable for goddesses and precious women who have not left the room. There are many forms of this hairstyle change, which can be twisted around the top of the head, the side of the head and the front of the head. The changes are vivid and comfortable, especially in ancient ladies' paintings. It can be used flexibly in modeling. (Answer supplement)

This hairstyle can be seen in paintings, sculptures and tomb murals in Tang Dynasty. In the tomb mural of Princess Li Huixian, the granddaughter of Wu Zetian in Tang Dynasty, there are many coiled steamed buns. According to records; Women in Chang 'an in the Tang Dynasty liked to comb their hair in a bun (that is, snail bun). The back, whose shape is towering but not falling, is called a bun. All the rage in Chang 'an, this kind of "steamed stuffed bun" is mainly made in the form of folding. The method is to tie the hair with silk thread, and then fold the bun into a spiral shape by knitting, folding and folding, and place it on the top of the head or on both sides or on the forehead and back of the head. It can also be folded into various forms at will. This hairstyle is very beautiful and decorative. In Wang Yuyang's poems, he praised "green snails are like steamed buns, so delicious". According to the method of plate stacking, various snails can be made. It can be used flexibly in modeling. Answer supplement

4. The hairstyle of anti-Wan style was recorded in Duan's Jipin, which was also very popular in Sui and Tang Dynasties. "Dressing Table" records that "Tang Wude half combs the bun, turns it upside down, and divides the buttocks". Inverted hair is to gather the hair high and turn it over, which also belongs to the hairstyle of high bun. It is made by gathering hair backwards, tying it with silk thread, and then dividing it into strands and turning it into various styles. Some combs are woven into the shape of bird wings, which is called "police ponytail", some combs are woven into single-knife or double-knife bun, which is called "rotary knife bun", and some turn multiple strands of hair into fancy, which is called "hundred flowers". There are many forms and techniques, all of which are closely combined and tossed around. This hairstyle is mostly used by ladies-in-waiting and imperial concubines. Girls who don't leave the room often leave a tail under the inverted bun so that it hangs over their shoulders, which is called "dovetail" or "split bun". Although the names of the past dynasties are different, the basic hairstyles are similar, and they can be flexibly changed and referenced when modeling. Answer supplement

5. Spine-knot hairstyle is the most common and widely used hairstyle among ancient women, which has been adopted in all dynasties and lasted for the longest time, and was used in Shang and Zhou Dynasties, Qin and Han Dynasties, Sui and Tang Dynasties, Song and Yuan Dynasties, Ming and Qing Dynasties. It's just that the hairstyle is high and low, and the spine changes in the front, middle, left and right are different. The combing method of this hairstyle is to tie the hair on the top of the head or on the side of the head, or on the forehead and back of the head, tie it up and tie it into a vertebra, which can be coiled into one vertebra, two vertebrae to three vertebrae, so that it stands upright on the top of the head or on both sides. According to records, Sun Shou, his wife, put the knot vertebra on the side of her head to make it fall off, which is called "falling horse bun", also known as "Liang Xin makeup". It was all the rage. When Zhao Hede entered the palace, he rolled his hair into a vertebra, which was called "emerging bun". Hongliang's wife Meng Guang likes to comb her hips. These hairstyles are all changes in the shape of the knot. If you master the carding method, you can change or create all kinds of vertebral buns, which can be used flexibly in modeling. All kinds of vertebral buns are mostly used by married young women.