1 "The First Song"
Song of the Fortress is a traditional pipa Wen Qu. The music expresses sadness by describing Wang Zhaojun's yearning for the motherland. This song delicately describes Wang Zhaojun's yearning for his native land and expresses a sad feeling. The tune is delicate and touching. Give full play to the skills of pushing, pulling, singing, rubbing and lifting with the left hand in the performance. In the staggered coordination of different timbres and volumes of virtual sound and real sound, the single tones such as pulling, pushing and twirling fingers are skillfully staggered, which makes the melody more euphemistic and feminine, expresses the artistic conception of "hiding the sound and thinking" and expresses ancient women.
2 "Sunset flute and drum"
Sunset Drum, also known as Xunyang, Xunyang Pipa or Xunyang Song, is a lyrical and freehand Wen Qu with beautiful and elegant melody. Pushing, pulling, rubbing, chanting and other playing techniques are commonly used in the left hand. The music begins with drum music and flute, and the theme is full of Jiangnan water town sentiment. Later, the following paragraphs used variations such as expansion, contraction, changing the range and changing the head and tail, as well as quasi-vocal music such as water waves and paddles to enrich the music. With its gentle melody and peaceful mood, this song depicts the beautiful scenery of the world: the sunset is sent away by the dusk drum, and the full moon is ushered in by the flute; People float by the river in canoes; On both sides of the strait, there are green mountains and green waters and flowers; The water is full of waves, and the oars add sound. ...
3 "House of Flying Daggers"
House of flying daggers is a famous large-scale pipa, which can be called a classic in music. The grandeur of music content and style is rare in classical music. Gaixia decisive battle is a famous battle in the history of our country. Pipa's Ambush on Houses shows the fierce situation of this ancient war by means of music, and shows the world a vivid and touching picture of the ancient battlefield. "House of Flying Daggers" is an outstanding representative work of Wu Qu, a traditional instrument player in China. In traditional pipa music, Wen Qu usually has a beautiful melody and slow rhythm, and is good at depicting beautiful natural scenery or expressing delicate inner feelings by pushing, pulling, reciting and rubbing with his left hand, while Wu Qu is good at expressing strong atmosphere and emotions with delicate and dense structure, distinct melody, intense and magnificent emotions and complex and changeable rhythm. Therefore, Pipa's "House of Flying Daggers" is magnificent, exciting and unique.
4 "Overlord Dismantling Armor"
"Overlord and Dismantle Your Armor" is a famous traditional pipa repertoire in Wu Qu. This piece of music is based on the same material as House of Flying Daggers, and it also describes the battle under Gaixia. The same chapter and ring structure is adopted, but the ideas are different. The protagonist of flying daggers is Liu Bang, so the music is loud and magnificent. Xiang Yu is the protagonist of "Overlord Dismantling Armor", so the music is depressing and tragic. Legend has it that Yu Ji wrote a poem after Xiang Yu heard the sound of Chu songs, saying, "The Han Dynasty has perished. Surrounded by sound, the king is tired, how can he make a living? " Su Shi once wrote a poem: "The beauty in the account wipes tears, and the strong man in front of the door is angry like a cloud." The emperor did not live up to the wishes of the king, only Yu Ji and Jun Zheng. " The Peking Opera Farewell My Concubine is famous at home and abroad, and the Pipa Farewell My Concubine will bring you a deeper feeling.
5 "Big waves wash sand"
"Big Waves for Sand" is a pipa solo created by Hua, and the music shows the author's infinite feelings about the injustice of the world and his attitude towards fate. This song was recorded by Mr. Yang, Mr. Cao An and Mr. Cao An. According to A Bing before his death, this piece was originally a Taoist Sanskrit ensemble that he played with pipa. But according to Yang's textual research, there is no such song in Taoism. The melody of the first paragraph of the music is similar to that of the first paragraph of the Cantonese song "Three Tans on the Moon", which is probably composed by flowers according to their familiar tones.
6 "Zhao Jun goes out to the fortress"
Pipa solo "Zhaojun Out of the fortress" was recorded by Hua. Music expresses the author's infinite feelings about this historical event by depicting the emotional changes of Zhao Jun when he left the fortress. In the music history of China, there are many musical works describing Zhaojun's departure from the fortress, especially the story of Zhaojun's departure from the fortress in Dachuan. One of the six new songs in Yipuzi Pipa is Zhaojun's leaving the fortress, which means that it is connected with Shiliu Spring, and the moon reflects the West Lake, which is also called leaving the fortress; In China's True Biography of the North-South School of Pipa, there is "Zhao Jun's resentment" in Zhejiang Chen Mufu's pipa repertoire. Later, Li Fangyuan appeared the divertimento Cezanne Qu, which described the story of Zhao Jun's departure from the fortress, in the thirteenth episode of the New Pipa Music of the North and South School. However, this song of Hua is different. According to Hua himself, this song was taught by his father Hua. However, from the melody tone of this song, it can be found that it has the characteristics similar to the Cantonese opera "B Line" and seems to have the factors of the Cantonese opera "Zhao Jun Fen" which was widely circulated in the author's time. This piece of music has some characteristics of the author's own pipa music, such as music structure, melody, rhythm and sound form, as well as playing techniques similar to "Big Waves Wash the Sand". Emotionally, he still shows the open-minded tolerance of the author, but there is no such thing as forever in his heart.
7 "Chun Xue"
"Yangchun Baixue", also known as "Yangchun Ancient Music" or "Yangchun" for short, is an excellent pipa ancient music that is widely circulated. Simple and rich music language shows people's spirit temperament of being aggressive, optimistic and full of infinite feelings for nature. The whole song presents a bright tone, fresh and smooth melody, lively and brisk rhythm and driving force, depicting a scene of vitality and spring. It sounds refreshing and has become an excellent traditional music that appeals to both refined and popular tastes.
8 "Little Sisters on the Grassland"
The Pipa Concerto was composed by Wu Zuqiang, Wang Yanqiao and Liu Dehai, and premiered by the Central Orchestra on 1973. Liu Dehai's pipa solo, accompanied by the orchestra, created the first pipa concerto. The music describes the story of Mongolian girls Long Mei and Yu Rong fighting against the snowstorm to protect the collective sheep, and shows the noble style and brave spirit of children in New China who love the collective and are not afraid of storms.
9 "Christina Na Swan"
It is said that The Swan in Christina is the earliest pipa music known today. Christina He Na appeared in the Yuan Dynasty, which is a solo of Pipa. Christina He Na: Also known as the Swan of Christina, a pipa soloist in Yuan Dynasty. Zhihua Temple in Beijing has two manuscripts, Interpretation of Christina and Taking Goose, which were written in the thirty-third year of Qing Emperor Kangxi. 18 14 chord preparation for Rong Zhai and a piece of Christina, all of which are ensemble scores. The existing pipa solo score was first seen in Hua's Pipa Story. The theme of this song is taken from the hunting life of nomadic people in the north. Haiqing, also known as the sea, is a kind of raptor specialized in hunting animals raised by hunting ethnic groups in the north. At that time, the Khitan royal family often took Christina out hunting, so the songs may be based on the traditional music of the Khitan nationality or the Jurchen nationality.
10 Yi Dance Music
Yi dance music is a lyrical music full of life flavor, just like a picture scroll depicting customs with music. Dance of Yi Nationality is a pipa solo composed by Wang Huiran on 1960, with the background of Yunnan Yi nationality's haicaiqiang and cigarette box dance. With beautiful lyrical melody and rough and powerful rhythm, the music vividly depicts the charming night scenes of Yi villages and the joyful scenes of young men and women dancing enthusiastically. This song is full of national characteristics and has a strong flavor of the times. It is deeply loved by many musicians and has been adapted into guzheng, sanxian, dulcimer, Ruan solo and orchestra. Yin Biao adapted it into a guitar solo, and participated in the China International Guitar Art Festival held by 1987 in Zhuhai, which was highly praised at home and abroad and became a famous guitar song with great influence in the guitar field.