Classical beauty composition 1 how to express classical beauty in words?
In the middle of the night outside the window, a remnant lamp cooks to satisfy hunger. Open an ancient thread-bound book, and the fragrance of tea wanders between the lips and teeth. If you are not careful, you will fall into a beautiful world. Beauty is the grandeur of "a strong man is hungry for pork and talks about thirst for Hun blood"; Beauty is the kind of leisure that "the shepherd boy comes back across the cow's back and the piccolo plays without a cavity"; Beauty is the grace of "the curtain rolls west wind, and people are thinner than yellow flowers". Wandering in tang style's rhyme, I was fascinated by Han Fu Yuan Qu, and the beauty quietly overflowed from my heart.
In the early autumn dusk, the slightly drunk sunset will sink, the sunlight blocked by the trees will pour down along the gauze curtain, and the breeze will bring the fragrance of wild flowers. Pushing open the window near the water, the silhouette of the mountain becomes clearer in the backlight. The wind chimes under the eaves of the ancient temple in the distance are swaying gently in the breeze. ...
Walking slowly, daisies are in full bloom on the edge of the ridge, and the shepherd boy picks up the scattered shouts. As soon as he raised his hand, it became a soft whip mark, and the calf reluctantly set foot on the road home. Without grasping it, beauty emerged from the bottom of my heart. A poem "Wild Hope" sang softly in my heart: "Trees are all autumn, and mountains are all falling." Isn't this beautiful?
Or on the night of early autumn, the waning moon is like a knife, tossing and turning, turning over ancient books to sleep: "I have nothing to say when I go to the West Building alone, and the moon is like a hook. Lonely phoenix tree deep courtyard locks clear autumn. " I think that one night a thousand years ago, Li Yu, who was captured, was sitting in a cold prison in a jade carving palace in the southern Tang Dynasty, with long hair. The moonlight shone on the ground through a small window. He stood up and looked south at this ancient country. It was just a mountain. I can't see the ancient towers and palaces, fireworks and songs and dances. What is abrupt is only a mirage, which is fleeting. The fatuous monarch, the outstanding lyricist and the beauty in troubled times have added desolation.
In the long ancient rhyme, my thoughts fluttered at will. Appreciate the beautiful scenery of "the desert is lonely and the long river is setting the yen", and feel the bleak loneliness of "the autumn moon is not scattered and the frost flies late, leaving the dead lotus to listen to the rain". The indomitable spirit of "Qian Fan on the edge of a sunken ship, Wan Muchun in front of a sick tree" laments the integrity of "no one has died in life since ancient times, keeping the heart of Dan as a mirror of history". Read love in the bean light, and watch fishermen sing late at Yanbo Lake. Beauty can be anytime, anywhere, and beauty is everywhere.
The rise of the new era has accelerated our pace, but neglected the indispensable beauty. Might as well slow down and let the cramped life be full of beauty and moisture!
The beauty of classicism is not the beauty of rhetoric, but the beauty of artistic conception and rhyme. Reading classics, such as drinking old wine, will make you mellow, refreshing and fragrant.
Beauty is indispensable in the 5,000-year history of the Chinese nation. Perhaps beauty is a cauldron cast by Shang people all their lives. Perhaps beauty is the favorite porcelain of the people in the Tang Dynasty; Perhaps beauty is the calligraphy of Dong Qichang, a calligrapher in the Ming Dynasty. In any case, this beauty is like a building, which cannot be appreciated or seen.
Throughout the 5,000-year history of China, it is found that people of the Chinese nation have always liked utensils. Even if there is no such porcelain-making technology, one should be made of stone or bronze. Porcelain appeared in the Tang Dynasty, and there were many kinds in the Song Dynasty. The porcelain industry in Jiangnan area is more developed than most people think. During the Qianlong period of the Qing Dynasty, there were probably countless porcelains in the court. Even the bowls used by people are mostly made of porcelain. It is said that porcelain bowls in Qianlong period were also unearthed in Shanxi. Exquisite workmanship and beautiful shape make people applaud.
After reading porcelain, let's think about the ornaments around us-jade. Jade existed in Shang dynasty, but it was polished with stones without strict processing. However, during the Spring and Autumn Period and the Warring States Period, it was well-known that Qin and Zhao wanted to make friends with Cui. This and choi, from now on become particularly full of mystery. In the prosperous Tang Dynasty, jade articles were indispensable. There are various kinds of Yu Pei and Hosta, and jade bracelets symbolize wealth. By the Ming and Qing dynasties, there had been a large number of jade articles. Jade brands in Yu Pei emerge in endlessly, with fine workmanship and polished layer by layer. The jade made is smooth and shiny, like running water, which makes people fondle it.
Then there are ancient calligraphy and painting, and the writing brush appeared in the Qin Dynasty. Meng Tian, a general in the Qin Dynasty, invented the writing brush, and paper was also popular in the Eastern Han Dynasty. Wang Xizhi, a great calligrapher in the Eastern Jin Dynasty, has a fluent running script of Preface to Lanting, which is known as "the first running script in the world", while Yan Zhenqing's "Sacrifice for a Nephew" is the second running script in the world, and its unique style is amazing. In the Ming Dynasty, Dong Qichang's calligraphy absorbed the essence of Yan and Zhao, which was unique and outstanding.
Since ancient times, many things of the Chinese nation are full of beauty, and each kind of beauty is different and representative. This kind of classical beauty is something we should learn, because behind this kind of beauty, there are many unknown sufferings, and we should learn from them this spirit of facing bravely.