How to continue the historical context of the ancient city in the construction of modern cities
Acknowledgement 3-4 Abstract 4-5 Abstract 5-10/Introduction 10- 16 1 Research Background 10- 1.2 Question. 38+0 1 1.4 Research significance1-131.4.1Clearly protect historical and cultural relics and grasp the importance of historical context12/kloc-0. Pay attention to the continuation of historical context, and also pay attention to the contradiction between protection and development. 12-131.4.3 through the planning and design of Chaohu waterfront, handle the relationship between urban construction and cultural continuity. Actively explore a new model of riverside environmental improvement 13 1.5 research method13-141.5/data analysis method 13 1.5.2 field. 5438+0.5.4 Design Analysis Method1410.6 Research Framework 14- 16 2 Exploration and Development of Urban Historical Context 16-22 2. 1 Concept Definition of Context/ 8+0.2 Understanding of Generalized Context/The Origin of Kloc-0/62.2 Context/Theoretical Exploration of Kloc-0/6-172.3 Context17-182.3/"Top Ten Groups"-Cluster Cities 38+ 8 2.4 Analysis of the connotation of history, the comprehensive embodiment of the level and quality of different city managers and planners 20-2 1 2.4.4 The historical context of the ancient city is the foundation of the ancient city's survival 2 1-22 3 Research on the continuity of the historical context of the ancient city 22-26 3. 1 historical continuity 22 3. 1 The continuation of history is the foundation of building a unique city. 22 3. 1.3 Historical continuity is the driving force of urban construction innovation. 22 3.2 Continuity of internal and external space forms. 22-24 3.2. 1 Continuity of external space form. 3.2.2 Continuity of indoor and outdoor space 23-24. 3.3 Diversity of styles and characteristics. 24-25 3.4 continuity of traditional psychology. 4 Dual Problems of the Protection and Development of the Historical Context of the Ancient City in Urban Construction 26-32 4. 1 Common Categories and Development Opportunities of the Historical and Cultural Ancient City 26 4.2 Challenges Faced by the Protection and Construction of the Historical and Cultural Ancient City 26-28 4.2 6.5438+0 The economic-driven strategy led by urbanization will inevitably lead to the contradiction between the protection and development of the historical and cultural ancient city. Conflicts between new and old, modernity and history arise 26-27 4.2.2 Urbanization development faces planning challenges 27 4.2.3 The contradiction between the continuation of historical context and social and economic development is also one of the important issues facing the protection and construction of historical and cultural ancient cities 27 4.2.4 When recreating historical sites, The contradiction between maintaining the existing features of relics and imitating relics 27 4.2.5 Weak legal system construction is also a prominent problem 27-28 4.2.6 Difficulties in protection and development 28 4.3 Principles of protection and development 28 4.4 Contents of protection 28-29 4.4. 1 Protection of cultural relics and historic sites 29 4.4.2 Protection of historic sites 29 4.4.3 Ancient city features. 29 4.4.4 Inheritance and Development of Historical Traditional Culture 29 4.5 Protection Methods of Historical Context of Ancient City 29-3 1 4.5. 1 Protection Methods of Cultural Relics and Monuments 29-30 4.5. 1 Freezing Preservation 30 4.5. 1 Reconstruction 2.39/kloc. Museum 29 4. 5. 2. 65438 pursues economy unilaterally, misunderstanding urban modernization 32 5. 1.2 development mode is unscientific, and there is "protective destruction" 32 5. 1.3 project decision-making is hasty, the test cost is too high 32 5. 1.4, and tourism benefits are deliberately pursued. Regardless of the principle of historical truth, 32 5. 1.5, the project investment ratio is improper, and the protection and utilization are unbalanced. 32-33 5. 1.6, there are some doubts in laws and regulations on context protection. 33 5.2 Research on protection methods. 33-36 5.2. 1 Institutionalize the management method and professionalize the evaluation team. 33 5.2.2 The protection level shall be subdivided. Protection standards should be scientific, reconstruction measures should be diversified, development efforts should be moderate, the contradiction between tradition and modernity should be reconciled, materials and humanities should be unified, urban context should be distinctive, GDP growth should be pursued reasonably, and the misunderstanding of one-sided pursuit of GDP growth should be eliminated. There are laws to follow. 35 5.2.8 The continuation of the historical context of the ancient city needs all-round investment. 35-36 5.3 Successful case analysis of historical context continuation. 36-38 5.3. 1 Lijiang, ancient city-a model of ancient city protection. 36-37 5.3.2 Renovation design of Xinmen area in Quanzhou-Inheriting traditional architectural space, Protecting the features of the ancient city 37 5.3.3 Protection and renewal project of Xijindu historical and cultural block-guiding capital operation and market development with market concept 37-38 5.4 Failure case analysis of continuing historical context 38-40 5.4. 1 Baltimore Port Revival Plan-Interrupting Historical Context 38-39 5.4.2 Beijing Ancient City Wall Destroyed by Smoke 39 Development-Overview of Oriental Venice 40 5.5 40-4 1 6 Discussion on Historical Context Protection Planning of Sanjiang Waterfront in Chaohu 4 1-49 6. 1 Project Overview 4/kloc-0. Project Background 4 1.65438+ 38+0-42 6.2 Planning Basis 42 6.3 General Idea of Planning and Design 46.3 River Landscape Belt-Commercial and Cultural Waterscape Belt 43 6.5.2 Xihuan River Landscape Belt-Shui Ze Pastoral Waterscape Belt 43 6.5.3 Lujiahe Landscape Belt-Modern Cultural Landscape Belt 43-44 6.6 Chaohu City Kloc-0/ Ancient City Ruins-Restoration and Reconstruction of Ancient City Wall Ruins 44- Gu Xiang Charm-Petunia Gu Xiang Protection and Ear Washing Pool Reconstruction 46-47 6.6.4 Water Town Scenic Area-Restoration of 47 6.6.5 Golden Wharf Commercial Pedestrian Street-One of Three Colors Overlooking the "Indoor Boating" Scene of Woniu Mountain 47-49 Conclusion 49-5 1