Andy Lau plays Hou Jie in The New Shaolin Temple, which tells the story of the warlord Hou Jie who escaped into an empty door after being betrayed by Cao Man and separated from his wife, and worked with monks to protect the war victims and Shaolin Temple.

In the 1920s, the situation was turbulent, the world was in chaos, and there was no peace in China. Heroes rise up and warlords scuffle. Hou Jie (Andy Lau), a young warlord, is arrogant, treating civilians like dirt, but born to die. As the saying goes, when Chengtou changed to qiwang, the glory of Hou Jie disappeared in a blink of an eye. Cao Man (Nicholas Tse), the adjutant, is waiting for the opportunity to be promoted. His wife Yan Xi (Fan Bingbing) leaves and his daughter dies. All kinds of blows made this once troubled shura desperate. After going down to Shaolin Temple, Hou Jie met five Buddhist disciples (Jackie Chan), Jingneng (Jason Wu), Jinghai (Yu Shaoqun) and Jing Qing (Yan Nengshi), and gradually understood the cause and effect of past sins, so he put aside greed, ignorance and suspicion and sincerely converted to Buddhism. At the same time, greater hardships are coming to Shaolin.

Douban Film Review: If watching movies is a draft, I can only be one of the most common public judges. To watch and evaluate a movie, we should first see whether it is close to us and easy to watch, and then interpret and evaluate it in depth or breadth. Shao is a standard commercial masterpiece in China. It may not be brilliant as a whole, and the lines of several plot nodes are still weak, but it does not affect that this is a rhythmic and ornamental film. Chen Musheng is ok.