In episode 39, Gao Zhan was injured in the head by a stone while saving Lu Zhen, and there was a blood clot in his head, which has never been cured.
Later, when he was in the state of Chen, he was seriously injured, so the emperor of Chen used 53 poisons to go to Gao Zhan. Once he stops taking it, he will have a headache and lead to madness.
In the last episode, Gao Zhan was seriously ill with poison, and the prince was in high latitude, so Lu Zhenfu, a waitress, assisted him. Three years later, Gao Zhan died.
In history, Gao Zhan's extraordinary appearance and graceful demeanor made people amazed at that time, and he was also loved by his father Gao Huan.
However, during his reign, Wu Chengdi and Gao Zhan favored the traitor and killed the imperial clan ministers at will.
At the beginning of Gao Zhan's accession to the throne, Gao Guiyan, an imperial uncle who welcomed him, was appointed as the secretariat of Jizhou.
* * * Li Zue, Queen of Wen Xuandi, abused her nephew for hundreds of years.
In history, Wu Chengdi Gao Zhan was really a bad king who didn't care about state affairs and indulged in beauty.
When Gao Zhan was twenty-seven years old, a comet appeared, which the Taishi called "except the old cloth and the new image, when there is a new owner", that is, a new emperor should appear.
In order to cope with the astronomical phenomena, Gao Zhan passed the throne to his prince Gao Wei, claiming to be the emperor's father, and changed the throne to heaven.
Tiantong four years, Gao Zhan died of excessive wine and color. At the age of 32, he was called Wu Chengdi and was buried in Yongping Mausoleum.
In the TV series, Yushu, Gao Zhan, is wise, courageous, determined and strong, and her attachment to Lu Zhen is beyond words.
However, the real Gao Zhan in history is fatuous, cruel and dissolute, which is totally opposite to the image in the film and television work The Legend of Luzhen.
There is indeed a female prime minister in history, but she has no intersection with her.
For the sake of artistry, TV series will inevitably change the historical truth and describe these two people as inspirational models.
Therefore, to understand the real history, we need to treat historical TV dramas with dialectical thinking.