In 500 years, Buick directed the spy war drama "Aiming" starring Huang Xuan, Michael Chen, Yang Caiyu and Nicky.
It was officially broadcast on June 9 10, and the audience has received rave reviews at present.
The word "not enough" is clear in the barrage.
Three new dramas were launched at the same time, with the new drama premiered by dual stations ranking first and provincial satellite TV ranking second.
These are really good proofs of the play aiming.
This drama not only fills the gap that there is no excellent spy war drama in 2020.
It even has a chance to become the best domestic spy war drama after Kite.
Is this spy war drama really that good?
It's really so good just from a few episodes broadcast.
The spy war drama, this genre was once one of the mainstream dramas in China.
Classic works in the history of TV series, with the continuous explosion of the market.
Not to mention the spy war drama that China audiences are most familiar with at present in the early 1990s.
We still have to go back to 2006, when Liu Yunlong, the "father of China's spy war drama", filmed the plot against him.
Then, it is the eternal classic "Latency" of China's spy war drama.
Then, the radio waves will never die 20 10, before dawn, the cliff 20 12 and so on.
These are the classics of domestic spy war dramas.
Of course, there are many spy war dramas with good reputation.
For example, Red, Informant, Silence and so on.
Why are spy war dramas popular with China audiences?
Or, why do China audiences like to watch spy war dramas?
First, historical reasons.
The society in China before and after the Republic of China was very complicated.
There are national integrity against the Japanese aggressors and complicated relations between the two parties.
There are businessmen, literati, soldiers, people with lofty ideals and so on.
In this extreme environment, concealment, deception, disguise, struggle and even the conflict between human nature and morality can easily arouse the interest of the audience.
Most importantly, spy war drama is relative to domestic urban drama and idol drama.
There is more "technical content" in characterization, storyline and even rhythm.
Spy dramas in which stories and characters are fooled.
Have you ever found that you can't remember at all?
It is better than ordinary domestic dramas, which is one of the reasons why spy war dramas are popular.
Why are spy war dramas getting worse and worse in recent years?
The reason is that the new idolized spy war dramas after 20 15 failed to copy the advantages of the old spy war dramas, especially the excellent spy war dramas are few and far between.
Sneaking, hiding, before dawn and cliff are all old-school spy war dramas.
I don't know if you have noticed.
The actors in these spy wars are older (the protagonists are mainly middle-aged); The plot and theme are more serious.
This seriousness means that no matter the arrangement of suspense and wits, the collision with the morality and humanity behind it is more profound.
Any subject who shoots too well or too much will face a problem.
-Chains!
Before 20 15 "The Pretender", in fact, the spy war drama had already begun to decline.
Pretender is an innovation.
This innovation is not how brilliant its spy war drama is.
It is that it successfully combines serious spy war dramas with idolization.
It is its handling of the "spy war scene". Although the characters are handsome and beautiful, the IQ is online, and the story is fashionable but relatively rigorous.
It not only satisfies the idol audience who likes handsome guys and beautiful women, but also lets the audience who likes serious spy war dramas watch it.
This is similar to the influence of Nirvana in Fire in Noon Sunshine on domestic costume dramas.
After the pretender succeeded in the market.
Later, idolized spy war dramas appeared, such as Sparrow, Scare and Qiu Chan.
Like a costume drama after nirvana in the fire.
Most of these "idolized" spy war dramas failed to replicate the success of The Pretender (it may be successful in the market, but it has not been successful in word of mouth).
In recent years, most spy war dramas have become "no splash".
After these spy war dramas were broadcast, the quality of word-of-mouth was mixed and the ratings were flat.
The only exceptional spy war drama is Liu Yunlong's Kite in 20 18.
But it is a typical old-school serious spy war drama, because 20 17 has been broadcast for five years.
After Kite, only Mask and Peace Hotel are slightly better than the well-known domestic spy war dramas.
But their commercial achievements are relatively inferior.
Even Liu Yunlong's own "opportunity".
How to break through the domestic spy war drama?
According to my personal feeling, it is probably like this.
We should inherit the advantages of the old domestic spy war dramas and abandon the "sense of suspension" of the idolization of the new spy war dramas. At the same time, we should learn from British and American dramas, Japanese and Korean dramas, and make them more sophisticated, more in line with the current aesthetics, and the core of the theme is different from the previous spy war dramas.
This is a breakthrough in the spy war drama mode.
First, let's look at the production level.
That is, art, composition, photography, music, culture, special effects processing and so on.
Aim is commanded by a team of 500 people.
Their previous works were suspense online dramas such as Psychological Crime and Chasing the Murder in the White Night.
In production, it was originally an excellent team that learned from Britain, America, Japan and South Korea and integrated localization.
Before we talk about the production of aiming.
Tell a story first.
20 18, two spy war dramas broke the news.
One is the new work "Perfect" by the director team of in the name of people.
The other is the new work "Hidden and Great" by Wang Wei, the director of "Chasing the Murder in a White Night".
In the production of two spy war dramas, the feeling of "old and new alternating" is very obvious.
But "Perfect" has been broadcast for more than a year, and "Secret and Great" has not been broadcast yet.
Personally, when I first saw the preview of Aim.
The pilot notice is actually very short, just a group of people playing with guns.
The whole process is "clicking" gunfire, and the sound effect can be said to be very emotional.
Later, it was found that the play was a team of 500 people, but the texture of the play was different from that of the bright yellow film Hidden and Great.
"aiming" is a cool green tone, which adds a sense of retro seriousness.
At the same time, it combines fast pace, artistic composition, and a large number of colorful group dramas, explosion dramas and action dramas.
Both have the texture of a movie, but the two plays are different in handling.
6543810.9 After the official launch of Aiming, the production of this drama really didn't disappoint.
Anyone who has seen this play knows it.
This model is not just a spy war drama.
Personally, I think it is also a direction of domestic drama in the future.
As I said before, how do domestic spy war dramas break through?
That is, it inherits the narrative and role-building of the old spy war drama (relatively serious), and at the same time excavates the theme core different from the previous spy war drama.
"aiming" has done this.
It is carried out in the way of "sniper" from the perspective of theme cutting.
This domestic spy war drama has never been filmed before, and it is quite novel even in domestic war dramas.
According to the introduction and previous episodes.
The story and role setting of this play are not complicated.
It is a jellyfish assassination group represented by Chi Tiecheng (played) and Su (played by Huang Xuan).
Three years ago, Su had an argument with Chi Tiecheng for shooting his best friend.
The two chose different paths and began to go their separate ways.
After the plot began, due to Ye's alliance, an agent of the Secret Service.
Sue was accidentally involved in this incident in order to save the kidnapped child.
In previous episodes, Su was caught by our party after saving people, and the heroine (playing) and others investigated Su for Ye's intelligence.
On the other side of the enemy's secret service, it is obviously divided into two factions.
The Secret Service decided to kill Sue for fear that the information would fall into our party's hands. Chi Tiecheng decided to save Sue because of his old feelings.
From Sue's arrest to her assassination at the dock, to the cake around the protagonist's relatives.
Sue was arrested and fled, and all sides fought bravely.
To be honest, the story is really not complicated.
This play is good because it is good.
It has done a good job of digging and burying a pit, with a bright rhythm and no sloppiness. As long as there is a name, not only the personality is distinct, but also all IQ online.
Coupled with the excellent production level, the actor's excellent acting skills left an excellent impression.
Don't look at this. It looks very simple. Very rare in domestic dramas.
Finally, the quality of aiming is really excellent.
It has the quality of "movie level" in production.
There is nothing wrong with the actor's acting skills.
Actors such as Huang Xuan are always brilliant in acting.
Michael Chen also made a major breakthrough in Ceng Xiaoxian before.
Yang Caiyu, the heroine, is controversial mainly because her role is unlovable and her acting skills are not serious.
Although the storyline and characterization are simple, the rhythm is compact, narrative advancement and suspense are closely linked, and there are not many urine point on the whole.
Together, these things have achieved high reputation and high ratings in previous episodes.
The follow-up story of Aiming can only guarantee the present quality (not unfinished).
It doesn't matter whether it is the best spy war drama after Kite.
Personally, I think the most difficult thing for this drama is to find a new way for domestic spy war dramas.
Aiming is really a good demonstration.
The only hope now is-
Don't be a rotten tail!