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Who is Liu Bei in the Three Kingdoms?
Yu Hewei

Chinese name: Yu Hewei.

Nationality: China, Fushun, Liaoning.

Date of birth:1971May 4th.

Occupation: actor

Graduate school: Performance Department of Shanghai Theatre Academy (92-year undergraduate)

Representative works: secretary of the provincial party Committee, armed behind enemy lines, beautiful things.

◇` Yu Hewei information ◆

◇ ` Personal works ◆ TV series

Comedy works

sketch

film works

◇` Related interviews ◆

◇ ` Related introduction ◆◆` Yu Hewei information ◆

◇ ` Personal works ◆ TV series

Comedy works

sketch

film works

◇` Related interviews ◆

◇` related introduction ◆

Yu He

"Yu Hewei Information"

Constellation: Taurus Height: 179cm Weight: 70kg Wife: Song Linjing.

[Edit this paragraph] ◇ `Personal works ◆

TV plays

1999 In 2000, Cao Cao was dressed as Xun Mi, in 2002, a Shenzhen woman was dressed as Qiao Meng, in 2002, the secretary of the provincial party committee was dressed as Luo county magistrate, in 2002, Wang Ji food stall was dressed as Xiao, in 2002, he was dressed as Shi Tiancheng, and in 2003, Jingyuan was dressed as No.2 Dazhaimen as Bai. Ichiro Kimura's Historical Sky and Wan Gu Monument in 2003, Armed Behind the Enemy in 2004, Jia Zheng's Who Can Depend on Me in 2005, Qian Shuming's Life with Love in 2005, Zhou's Taking the Wrong Bus in 2005, Su Minsheng's Sentinel under Neon Lights in 2006, Hao Tie. In 2006, the dutiful son was played by Shen Zhigong, The Close Contact of Mahjong in 2006 was played by Zhou Ying, The Bottom Line of Men in 2007 was played by Zhao Tongda, Liu Bei in 2007 was played by and The Close Contact of Mahjong in 2007 was played by. I love Sister Furong as evergreen in 2007, Huarong Road as beautiful in 2007, and beautiful things as beautiful in 2008. The meaning of drunkenness is not that the wine is like a model in 2008, and the story of spring is like a blog in 2008. Get to the bottom of it, also called a mask, and 2009 will be the battlefield of Philip Burkart as usual. In 2009, family feud was played by Zhang Tianxin, in 2009, the pioneer of special warfare was played by Mao Renfeng, 20 10, the Three Kingdoms was played by Liu Bei, 20 10, the happy past of the old horse family was played by Mo, 20 10, ice was sleeping water, 20/kloc-.

Comedy works

The sitcom Wang Ji Food Stall is decorated with watermelons.

sketch

Golden Lion Award The winning work "On One Word" in the 4th National Essay Competition won the silver award, and Yu Hewei won the performance award.

film works

Nanjing Film Studio's "Iron Blood Tenderness" plays the captain of Interpol, Aaron.

[Edit this paragraph] ◇` Related interview ◆

Yu Hewei and his screen image. Every bad guy has a "bad" reason: some actors mind playing bad guys, but you play them one after another. Why? Y: The first so-called villain I played was the Monument to the Ages. After the broadcast of Historical Sky, the ancient monuments became famous. This circle is like this. If a role is successful, the actor is easily stereotyped. Producers will think that you can play the same type of role well, so they will ask you to play a similar type. As an actor who has just entered the TV circle, it is not so much that the role chooses me as that of myself. There are two kinds of actors. One is that the role is close to the actor, and the other is that the actor is close to the role. If the characters are close to the actors, such as Tony Leung Chiu Wai (listening to music), each of his roles can have his own melancholy and implicit temperament. His personal charm allows him to choose his role calmly and freely. But most actors can't do this. So after Sky of History, I played three or four villains in a row. But I don't think it matters. Although the role chose me from the beginning, I can also make a second choice for the role and distinguish these roles through my performance. Reporter: How to distinguish? Y: Every bad person is "bad" for no reason. They have their reasons, and their hearts are rich, not bad. For example, monuments are not "bad" in a simple sense. In the TV series, after the death of Dongfang Wenying, the monument came to her grave without tears or even expressions, but he finished the song that Dongfang Wenying had not finished before his death. I added this detail. Because I believe that the "bad" of the monument has its own reasons. Similarly, other bad guys have their reasons. I played many villains, but I didn't regard them as villains. I regard them as real people, and everyone has their own emotional foundation and behavioral logic. For example, Su Minsheng, the biological father in Taking the Wrong Bus, shed tears when he watched the plane that May left. They are all real people, and I don't hate these bad people. If you hate someone and want to hit him, the effect will be very humiliating. I want to be a "good man" and show my inner strength: in the era of true love, you played a good man who was hard to find with lanterns. Is it to change your game? Y: it does matter. After watching Historical Sky, Miss Li told me that you must find a very, very good role to play in the future. What he means is that I have the ability to play a "good guy" and I should also play a "good guy". I got the script of "The Age of Truth" and decided to play it at the first time. There is only one reason: I am a good person this time. In fact, it is not easy to play good people, because we will be stricter with good people, be excellent enough, have characteristics and shine. Reporter: So, does it mean that good people are more difficult to play? Y: Good people and bad people do have criteria for judging right and wrong. But as an actor, you are not a judge of good people and bad people, you are just themselves. You must ask yourself to find the emotion and spirit of the character. In other words, it depends on whether you can feel the inner feelings of the characters. Reporter: If you were free to choose your role, would you choose to play the good guy or the bad guy? Y: good job. I hope to show the beauty of human nature through my own performance. After all, a good person can expose the audience to more positive sunshine, and such a role is more powerful. This doesn't mean that I refuse to play the villain role, such as Fan Baohua in Drunk. He looks bad, but he also has something shocking. In fact, the role I want to play is not a simple bad guy or a good guy. I want to play a person who can convey more inner strength. Every supporting role is a complete story: you have cooperated with Gao Xixi eight times. But you have been playing a supporting role since "Historical Sky". It was not until he directed "Beautiful Things" that he finally became the protagonist. Is that your first time as a leading actor? Y: My first starring role should be Close Contact of Mahjong. There were more than 900 plays in the whole play, in which I played a pair of twin brothers. Reporter: We often think that a performer can only be a supporting role. We will also be curious about his mentality when he finally became the protagonist after many supporting roles. Y: I don't take every role as a supporting role. If we really treat them as supporting roles, we may only be supporting roles forever. Indeed, every drama tells a story with the protagonist as the clue, and the supporting role is also set to match the protagonist. But even the supporting role is a complete individual, rather than simply cooperating with the role of the protagonist. If you don't enrich their emotional level and psychological context, but just hold the mentality of helping the protagonist, then you really can only be a supporting role forever. Reporter: How did you get this opportunity when you first collaborated with director Gao Xixi on Historical Sky? Yu: I want to thank three screenwriters, Jiang, Li, and Deng Hainan, and thank them. I am an actor in the front-line drama troupe of Nanjing Military Region. They are screenwriters of the Drama Troupe and Historical Sky. I acted in their plays, and they know me and what role I can play. At that time, they recommended me to Gao Dao together I am introverted and don't communicate with people very much. I go back to the hotel after filming every day, so I didn't know what Gao Dao thought of me at first. One day, other people in the crew chatted with me and talked about Gao Dao, saying that he often observed me through the monitor when shooting, saying that although Yu Hewei was young, he was very mature when performing. This gives me great confidence. Reporter: Will you worry about the audience's aesthetic fatigue if you cooperate with so many works by the same director? Y: In these plays, each character is completely different. I am also afraid of when this kind of fatigue will come, so I try my best to bring different freshness to the audience in each play. Of course, everyone has their own limitations and cannot be perfect. Always repeating the same role, you will feel uneasy at first and you will be rejected. Learn acting and work hard for your dreams: why do you want to be an actor? Y: Every boy has had a police complex to some extent. When I was a teenager, my wish was to be a policeman who eliminated violence and helped justice. If I can't be a policeman, I want to be an actor, because being an actor can play a policeman. When I was in middle school, I liked singing, which was quite literary. At that time, my family was in poor condition and I couldn't afford to go to college. Before graduating from high school, Fushun kindergarten teacher came to recruit students, and the teacher suggested that I take the exam, so I can work after three years. I was admitted and studied music there for three years. The school is almost full of girls, and several boys have become the object of attention. I was young and vain at that time. All I care about is whether the girls' eyes and my shoes are white enough. Three years later, facing graduation, I found myself wasting three years, learning nothing and having no confidence to be a teacher. It happened that Fushun Opera Troupe was recruiting people at that time. More than 40 people took the exam and recruited a man and a woman. I was admitted. Soon after I arrived at the Drama Troupe, I had an opportunity to work in it. I am so nervous in front of the camera that I can hardly do anything. Someone asked me, "aren't you from the drama club?" Why can't you even speak Mandarin? " I said that I had just arrived at the repertory theatre. He said, "You can't just come here, and you can't make a living just by looking young." After I went back, I immediately practiced Mandarin, and I learned that there are schools specializing in acting: Chinese Opera and Shanghai Opera. Reporter: You later learned the acting skills of the last play? Y: I just started to take the Chinese opera exam and got it, but those entrusted with training have to go back to their hometown after reading it. I want to have a broader world, so I went to the undergraduate performance major of Shangxi. And admitted it. I bought a train ticket and got on the train to Shanghai. I remember that a bus was full of Shanghainese, and I couldn't understand what they were saying at all. It feels like I'm in a foreign country. 1996 After graduating from drama major, I went to the front-line drama troupe of Nanjing Military Region, where I stayed for four years and performed four plays. Remind yourself not to be so impetuous: Historical Sky was performed in 2003. As a TV actor, you started almost at that time. However, it has been 1 1 year since I was admitted to drama. Do you consider yourself a late bloomer? Y: I haven't finished it yet. I'm still climbing the mountain. My dream is to play a good role in the script. But a good script and a good role will give you up because you are not famous enough. When my acting charm reaches the point where I can freely choose scripts and roles, I will feel that I am really "successful". As for whether it is too late now. I don't think it's early, but it's not too late. After all, I am the lucky one among the actors. There are many powerful actors who may never get a chance. Reporter: Are you satisfied with your present state? Y: basically satisfied. My current job gives me seven points of confidence. I think I can, and I am constantly reminding myself to be less impetuous and less impetuous. Reporter: What would you think if it became more famous one day? Y: I will reflect on myself more. People's hearts swell easily. The more flowers and applause, the easier it is to get lost. I wish I could be more practical and simple.

[Edit this paragraph] ◇ `Related introduction ◆

In the autumn of 2004, when I was taking pictures of ZhangFeng yi, I heard him say that he had just finished filming the TV series "Historical Sky", which was another drama he starred in after "Peaceful Times". He strongly recommended it to me, so I bought a CD of this TV series and watched it all at once. ZhangFeng yi is a big name. I thought Jiang Daya would be very flesh and blood, but to my surprise, I was deeply impressed by the brilliance of the characters in the play. At the end of the play, I specially looked up the actors of the monument in the actor list. His name is Yu Hewei, and he is a very strange actor. I chatted with a guy from a film company the other day. When I talked about several powerful actors recently, he mentioned Yu Hewei to me. My heart moved and I asked him how powerful Yu Hewei was. This guy asked me if I had ever seen Historical Sky and got on the wrong bus. I said no on purpose. He confidently said that what he said was well-founded, and Yu Hewei was definitely an actor with strength and development potential. Disembarking, how many days later, Yu Hewei really sat in front of me. Yu Hewei is the kind of person who is slow to heat. I don't like to talk when I'm unfamiliar, and the more I talk, the weaker I get. If you are right, you will talk endlessly, and if you don't say anything, you will not enjoy yourself. After reading the script, he is most afraid of explaining his thoughts on the role to the director in the crew, because the role is still on paper and the role is just a concept. He has to perform two or three scenes in front of the camera before he can know how to decorate his role and form his idea of the role. Yu Hewei said that the role on paper depends on the actor's continuous improvement in performance, and the actor's inspiration for role handling also comes from the performance in front of the camera, so asking him to talk about role handling before starting the machine is tantamount to an armchair strategist. Yu Hewei also has a strange personality. He is an old actor and has seen all kinds of the world, but he is still shy. The staff come from all over the country. When Yu Hewei first arrived, he probably didn't know anyone. Other people also have this situation. Others got to know each other for two or three days, but Yu Hewei couldn't. He would rather hide in a corner and giggle and watch everyone come and go without saying a word. Sometimes he is still like this in the middle of the filming, and even some people in the crew ignore his existence. Until the end, he was "in cahoots" with everyone. "When the Woods are big, there are all kinds of birds." Everyone's personality is different, this can't be forced, but there is a consensus that Yu Hewei's plays are not picky. Yu Hewei's recognition comes from his family and his experience. He was born in Fushun, Liaoning. There are eight brothers and sisters in his family. He is Laojiu, the youngest. At the age of three, he seemed to be sensible and not sensible. His father died and nine children were brought up by his mother alone. In Yu Hewei's memory, her mother raised more children than anyone else, but the living standard at home was worse than anyone else. Her mother has no job and does all kinds of small businesses in the street. Yu Hewei helped her mother since she was a child. In the mother's view, a few years of primary school is enough for her youngest son. After finishing junior high school in Yu Hewei, his mother told him that his family could not afford his tuition, so it was better to do business with his mother. Yu Hewei's mother is a grumpy and stubborn person. In other families, the youngest child is more popular, but Yu Hewei is not so lucky. When her mother gets angry and takes anything, she will beat Yu Hewei mercilessly. Yu Hewei is afraid of his mother, but he doesn't want to follow her thoughts. He wants to go to school. At that time, Fushun Art School enrolled students in Yu Hewei Middle School. The teacher took a fancy to Yu Hewei and wanted to recruit him into the acting class. Yu Hewei was particularly excited. When he was a child, he watched movies and admired those who were actors. He has always dreamed of becoming an actor. After returning home, he told his mother the news, but her mother resolutely refused to let him go. The mother thinks that the primary problem facing the family at present is survival, and the reason why the youngest son is not allowed to study is to save money. But the mother never thought that the younger son would learn the performance that was still looked down upon at that time, and it was better to learn the performance. Yu Hewei's personality is the same as his mother's. Once he is stubborn, no one can turn him back. The mother flew into a rage when her youngest son disobeyed. She grabbed a broom and threw it at Yu Hewei. Yu Hewei couldn't dodge, his right face was punctured by a broom branch, and blood flowed down. Yu Hewei has never been so angry. He turned and walked out of the house. After that, he and his mother became strangers. Yu Hewei grew up in such a family environment. He has a strong stubbornness in his bones, but his appearance gives the impression of being silent. His mother didn't give him tuition, and he didn't want to ask his brother and sister for it, so he borrowed it from his classmates and earned some money by working. His mother lost her temper at home, so he simply ran to a place where he could live for one night, or even slept in the heating pipe for one night. After two years' study in art school, Yu Hewei graduated from Fushun Troupe and became a full-time employee with a low salary. His efforts have not been valued by his mother, and the relationship between mother and child is still tense. In the late 1980s, the actors of Fushun Troupe were actively looking for ways to make money outside, and people were in a panic. The troupe didn't perform three or two performances a year, so Yu Hewei couldn't help doing nothing all day. He thought that joining the opera troupe would make his life brilliant, but the fact made him even more depressed. He is less than 20 years old. Is this how he spent his youth? Suddenly one day, he got the news that there are drama academies in Beijing and Shanghai, which enroll students every year. Hearing this, he couldn't help feeling yearning and thought he should try. He came to Beijing Central Academy of Drama, and was told that the performance class would not recruit undergraduates this year, so he went straight to Shanghai Theatre Academy by train. A few months later, he received an admission notice from the Performance Department of Shanghai Theatre Academy. One afternoon, Yu Hewei was lying in bed tired and sleepy. He vaguely felt that something was gently covering him. He opened his eyes slightly and saw his mother covering him with a sheet. Hearing his mother turn away, he muttered to himself, "This boy is really something." This sentence reconciled the relationship between Yu Hewei and his mother after several years of stalemate. The mother saw the result of her little son's efforts, and she finally understood his pursuit. Yu Hewei has to pay tuition to go to school, and Shanghai's living expenses are among the best in the country. These are all difficult problems for him. Yu Hewei's mother has no money, and it is not enough for her eight brothers and sisters to chip in. In desperation, Yu Hewei came up with an idea and asked the head of the troupe to allow him to go to school with his salary. Yu Hewei bought a present and found the home of the person in charge. As soon as the person in charge heard it, he said, will you come back after graduation? Yu Hewei said he would come back as long as he was paid. The head of the team said that there has never been a case of getting paid to go to school in the unit. Chief thoughtfully for a long time, let Yu Hewei go home, etc. They want to study and let him accept the gift. In any case, Yu Hewei didn't accept it and left. A few days later, the head of the troupe didn't look for him, so he knocked on the head's door again. When the head of the delegation met him, the troupe did not have this precedent. Let's find another way. The colonel sent the gift to him and asked him to take it away. When he went out, the head of the regiment saw him dejected and despondent, and he really couldn't bear it. He asked him to go to the director of the Cultural Bureau. The person in charge said that if the director agreed, everything would be easy. Yu Hewei came out from the principal's office and went directly to the director's home. He really found the director. After listening to the story, the director said first that he still respected the opinion of the head of the delegation. See Yu Hewei was sweating on his forehead, flushed, he (turn, asked to discuss with the head, let him go home. Yu Hewei sent a gift, which was declined by the director. He walked out of the director's house and went outside. He felt so sad for the first time. He looked up at the dark blue sky and shed tears. He never cries, even if his mother hits him hard. A few days passed without any news. Yu Hewei came to the director's office and bumped into the director and the person in charge. When the director saw Yu Hewei coming, he said to the head of the delegation, "Isn't this smaller than the drama troupe? He was admitted to the Shanghai Theatre Academy, which is the first place here, right? " The colonel said yes at once. The director said: "this is an ancient and glorious thing, but it is not as good as a talent." In the future, the drama troupe needs such people. Won't he return it after he finishes his studies? " Let him write a written document and leave with his salary. "The colonel complied. The cooperation with director Gao Xixi began in 2002, and Yu Hewei and Gao Xixi have cooperated for nine times. Yu Hewei said that he was "very happy" about the "royal actor": "He is a rare and excellent director with his personality charm. Just as he trusts me, I trust him, which is a kind of happiness. "