There is a place called Luyuanpi in the middle of the continuous Luo Xiao Mountains and at the west foot of the majestic Jinggangshan Mountain. Here, the soul of Shennong, the ancestor of the Chinese nation, rests in peace. Here, the roots of the descendants of the Chinese people are tied, and the memory and yearning of the Chinese people for thousands of years are entrusted. This is Yandi Mausoleum, with Huangdi Mausoleum in the north and Yanling in the south. It is a collection of thousands of years of ancient history and a statue of Huang Lu, illuminating the first comprehensive dawn of farming culture. A clear Shushui River, with historical winds and distant waves, runs through years and twists and turns, watering wonderful stories passed down from generation to generation, nourishing people's desire to find their roots and recognize their ancestors. Along Luyuan Road by the Mishui River, we can see the tall archway of Yan Di Mausoleum in the distance, indicating that Luyuanpi is in front, reminding devout people that they worship more than myths and legends. Myth is the treasure house of memory, and legend is the shadow of history, thus reflecting the historical facts themselves. More than 2,000 years ago, Sima Qian, a great historian, faced with numerous myths and legends, carefully screened out those who "chose the most elegant words" according to literature records and on-the-spot investigations, and wrote The Biography of Five Emperors, thus enabling Yan Huang and his people to enter a "faithful history" from legends in the history of the Chinese nation. However, due to the limitation of archaeological and textual research conditions at that time, the first biographical general history of China he wrote only started from Xuanyuan, the Yellow Emperor. At the beginning, I said, "At the time of Xuanyuan, Shennong declined." Then it describes the alliance battle between Huangdi tribe and Yan Di tribe, and the alliance battle between Yanhuang tribe and Chiyou tribe. The historical records of Yandi Shennong are rather vague. However, many written records can still be found in classics and hundreds of works. With the in-depth study of later generations, we can see that the image of Yan Emperor Shennong changed from vague to clear, from scattered to complete, from Huangfu Mi's "Emperor Century" in the Western Jin Dynasty to Milo's "History of Taoism" in the Southern Song Dynasty. These ancient documents are constantly confirmed and enriched by the endless new archaeological discoveries in modern times. The infinite reverence and nostalgia for our ancestors has dispelled what Yin Mengxiong, a A Qing dynasty man, experienced and described. Despite the constraint that it is difficult for me to pay homage to the short coat, I immediately stared at the hillside, hoping to step into the cemetery immediately and "respect the mausoleum and build a monument" with the state of mind of "thinking high and being polite".