Three peak periods: the first is the Zhou Dynasty, the second is the Han Dynasty, and the third is the Tang Dynasty. Similarities: they are all prosperous, unified and long-term stable dynasties; Imperial politics has a relatively clear period, which brings people's artistic pursuit. Differences: Different political cultures bring different dance styles due to different absorption of foreign cultures. The following information is for reference only. Throughout the history of ancient dance in China, the development of dance has three important historical periods, the first is the Zhou Dynasty, the second is the Han Dynasty, and the third is the Tang Dynasty. It can also be said that these three dynasties were the peak of the development of dance art, among which the Tang Dynasty was the peak in the ancient dance history of China. First, from the social system, the Zhou Dynasty gradually changed from slavery to feudalism. Compared with the past, the economy has developed greatly, and cultural ideas have also made great progress. For example, the ruling class of the Zhou Dynasty changed their views on the people. Shang dynasty regarded the people as the property of the king, and the king had the right to cherish and destroy people's lives at will. The Zhou Dynasty advocated that all people were born, and God was the ancestor of all people. God chose a monarch who respected God and had virtue as his son, and gave him China people and territory to protect the people on behalf of God. Therefore, the policy of enriching the people is to win the hearts of the people. They believe that the best way to rule the people is to make all people obey the law with strict hierarchy and etiquette. That is, the culture of respecting gods in Shang Dynasty developed into the culture of respecting rites in Zhou Dynasty. At the beginning of the Zhou Dynasty, a set of ritual and music system was formulated on the basis of the original system of Zhou State, which strictly stipulated various grades and used various specifications of music and dance. For example, there were eight kinds of dance teams of Wang, six kinds of princes and four kinds of doctors. The imperial court also set up a special organization to take charge of all kinds of music and dance matters. The famous six dances (or six dances) and small dances (or six small dances) in history were arranged and arranged at this time. Six dances are a kind of ritual music and dance. Yes: 1. (Cloud Gate), used to worship the gods. Second, the "fairy pool" is used to worship the gods. Third, "less and less" is used to worship the four gods. Fourth, "summer" is used to build mountains and rivers. Five, "big machine", used to worship the ancestor of Xianyan). Sixth, "great martial arts" are used to worship ancestors. "Feather dance", dancing with folded feathers in hand, is used to worship ancestral temples and four gods. Third, the "emperor dance", Dai Yuqi, wearing a climb, or dancing colorful feathers, is used to worship the four gods or pray for rain. Fourth, the "Lu Dance", with oxtail, was used for the ceremony of Bi Yong (a college student in Zhou Dynasty). Five, "dry dance", dancing with a shield, used for military affairs or offering sacrifices to mountains and rivers. Six, "people dance", dancing sleeves with bare hands, used to worship stars or ancestral temples. In addition to small dances, the Zhou Dynasty also used dance spoons (literary dances) and dance elephants (martial dances) to educate aristocratic children. It also stipulates: thirteen dance spoons, adults and children dancing elephants, and twenty dances in summer. In the court of the Zhou Dynasty, there were also "Sanle"-folk music and dance, and "Sizu Music"-music and dance of four ethnic minorities. These two kinds of music and dance are mainly used for banquet activities. Secondly, the Han Dynasty was in the rising period of feudal society, with developed economy and strong national strength, and frequent exchanges among all ethnic groups in China, so it was an era of great development and prosperity of China's music and dance art. After Qin Shihuang unified the whole country, seven countries gathered in Kyoto, which inevitably strengthened exchanges and promoted the development of music and dance. Music and dance in the Han Dynasty inherited the Qin music and dance, and made great progress on this basis. Hundreds of operas prevailed in the Han Dynasty, including acrobatics, martial arts, magic, funny performances, music performances, songs and dances. "Hundred operas" are also called "corner operas". Among them, the most famous dances are Panqi Dance, Towel Dance, Sleeve Dance, Sword Dance and Bayu Dance. , as well as East China Sea Huang Gong, the General Association of Immortals and other performances that show specific characters and specific storylines. In the Han Dynasty, there was another kind of dance activity of friendship, called "Dance belongs to each other". The process was that one person danced first (usually as the protagonist) and then stopped dancing. Dance belongs to the guests, and the guests dance in return. After the dance, the dance belongs to another person ... dancing in this cycle. When you have to spin in the dance, you must spin and pose gracefully. It's impolite if you don't dance according to the rules. There are two kinds of music and dance institutions in the court of Han dynasty: one is "Tai Yue", which is in charge of children's music sacrificed in ancestral temples; One is Yuefu, which collects folk music and dance films for the emperor's entertainment. The establishment of these music and dance institutions played a positive role in promoting the development of music and dance in Han Dynasty. Thirdly, the Tang Dynasty was a period of high prosperity and development in the history of China. Due to the strong country, stable politics, developed foreign trade and frequent cultural exchanges in the Tang Dynasty, this laid the foundation for the brilliant development of Lina's art. In addition, the Tang Dynasty inherited the music and dance of the Sui Dynasty and retained the artists of the previous dynasty, and the music and dance system remained unchanged. For example, Sui's "Nine Songs" began to be played in this way, and later a song "Yan Yue" was added and developed into "Ten Songs". Apart from Yanle and Shangqingle, the eight capitals of the other ten pieces are folk dances of ethnic minorities from all over China and overseas. They are: Xiliang Music, Tianzhu Music, Koryo Music, Qiuci Music, Anguo Music, Shule Music, Guo Kang Music and Gaochang Music. After the mid-Tang Dynasty, Le Yan in the court was divided into two different performance forms: sitting without remembering and reasoning without remembering. In the hall, "Zobu Geisha" was staged. There are about three to twelve dancers, who are graceful and accompanied by beautiful music of silk and bamboo. Workers and dancers in Qi Le are also known as "Walking Geisha", and their technical level is very high. "Ribu Geisha" is performing under the hall. There are 60- 180 dancers, and their dances are magnificent. Accompanied by drums and golden roosters (gongs), the volume is huge. Qi Le workers and dancers are also called "Li Beiji", and their technical level is lower than that of "Sataiji". When Emperor Xuanzong of the Tang Dynasty, he failed to learn to sit in the Ci Department, changed the Ci Department, failed, and changed to elegant music. According to legend, Zuo Buji has six kinds of music and dances, namely: Yanle, Changshou Music, Tianshou Music, Long Live Bird Song, Longchi Music and Bian Xiaoyuezhen. There are eight music and dances in The Collection of Rites, namely: Happiness, Taiping Music, Broken Array Music, Qingshan Music, Dading Music, Shangyuan Music, Shengshou Music and Guangsheng Music. Performing dance in Tang Dynasty can be divided into healthy dance and soft dance. The sword dance is vigorous and powerful; Soft dance is light and gentle. Sword dance includes: sword dance, Tuo Domineering, Hu Xuan dance, Hu Teng dance, Fu Lin, Zhou Dawei, Alesha, Huang Zhang, Damocles, Yang Liuzhi and so on. Soft dances include: green waist, spring warbler, echo song, crying at night, warrior Lan Ling, Liangzhou, Ganzhou, Tuanyuanxuan, Su Hexiang and so on. In addition, there are "Song and Dance Daqu" and "Song and Dance Opera" popular in the Tang Dynasty. The representative works of Daqu are Nishang Feather, and the representative works of musical and dance dramas are Da Mian, Tou, and Stepping on a Ballad Mother. I hope it will help you and be adopted. Your adoption will be our motivation to answer the question: can you explain the similarities and differences more specifically? Thank you for your answer: I'm sorry, because I don't have professional information at hand, so I can't elaborate. I can only add that you can follow this line of thinking. The dances of Zhou and Han belong to Chinese civilization, mostly in robes and sleeves; However, due to frequent foreign exchanges, the Tang Dynasty absorbed more kinds of foreign cultures and became more exotic. For example, Hu Teng dance, which An Lushan is good at, is a typical Ren Hu dance, in which many movements such as rotation are added.

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