The pavilion originated in the Zhou Dynasty. At first, it was a small fortress located in the frontier fortress, with a pavilion history. By the Qin and Han Dynasties, pavilions had been built all over the country and were used by local grass-roots organizations to maintain public order. On the cultural connotation of the pavilion, the design and layout of the pavilion reflect the influence of Confucianism, Taoism and Buddhism in China, and interpret the unique feelings of China literati. In ancient times, pavilions were places for pedestrians to rest and important landscape buildings in gardens. If the layout is reasonable, the whole garden is alive, but if it is not suitable, it will feel messy. The cultural connotation of the pavilion is also reflected in its application in poetry and ode. For example, the history of pavilions and pavilions is described in detail in the article "An Overview of the History of Pavilions and Pavilions", which is based on a large number of documents. In the field of history, the research on "Pavilion" mainly appears in the papers of small journals, the most representative of which is Qin Li's Summary of Pavilion History. The cultural connotation of the pavilion is also reflected in its application in garden art. The pavilion is an important landscape building in the garden, located at the best place of scenery and the intersection of sight. Building a pavilion in the garden or at a height can not only look up, but also provide a panoramic view for tourists; Build a pavilion in front of the foot of the mountain to set off the towering peaks; Building a pavilion near the water makes the reflection interesting; A pavilion built in the depths of the forest, half hidden and half exposed, hidden and not exposed, adds more interest. Generally speaking, pavilions, as an important carrier of traditional culture in China, not only embody the ancient architectural art in China, but also bear rich cultural connotations, and have become an indispensable part of the ancient garden art in China.