At the beginning of the novel, Di Ku Liuli, the daughter of a noble family whose mother died young but her father was still alive, was almost forced to engage in prostitution by her father's aunt because she was greedy for a little money. Later, the woman was molested when she went out. Pei Yan and Pei Ruzhuo took a fancy to being concubines. This woman's father's concubine wants to sell her for money. She tactfully learned to cut off a lock of her hair in the tone of a shrew in the Ming and Qing Dynasties, and said, "In order to avoid damaging the reputation of the two families in the future, Liuli hereby swears that she will never be a concubine of the two families in this life! If you violate this oath, you will hate it and abandon it, and the outcome will be like this! " So the hostess escaped the fate of a marriage being sold at a low price. Later, the female host entered the Tang Palace by chance, and almost wanted to be included in the harem after Tang Gaozong and Li Zhi, and basically insisted on monogamy. The hostess had to politely refuse.
Under the repeated protection of the man Pei Xingjian, the woman finally escaped from the court and got engaged to the man. The man ran around with an unmarried woman and even dared to admit that the unmarried woman was his wife in front of the monk. Although the novel maintains the pattern of "1v 1" after determining the male host, the pile of rotten peaches provoked by the female host for no reason before marriage is enough to show her personal charm.
Before the hostess gave birth to her son, Su had taught Pei Xingjian to take a concubine in the way of "having three sons without filial piety", but Pei Xingjian, who is over half a year old, would rather have no children than spoil the hostess alone. Later, the woman finally dragged her sick body to give birth to four sons for Pei Xingjian, and even gave birth to a twin after a narrow escape, fulfilling the obligation of a good wife to carry on the family line for the man. When the man returned to the center of power, Pei Xingjian, who was loyal to the monarch in the Ming and Qing Dynasties, strongly rejected Tang Gaozong and Li Zhi's request for concubinage for him several times. Later, the man took the opportunity to feign death in the year of death recorded in the history books, and finally reunited with the woman at the age of 70, and lived happily ever after.
Loyal love is enough to change a person and make the other half learn to give up principles and give in to everything. Although the male host in the novel is always strict with his own behavior, he is often full of sensibility and impulse because of his infatuation with the female host. Although the heroine in the novel is only a weak woman, she also tries her best to help her husband several times.
From the novel, we see an extremely luxurious Tang Dynasty. Through the author's gorgeous pile of literature and algae, I feel that the Tang Dynasty written by the author is not far away from us, just like the recent dynasty.
Romantic novels sought after by the public are not necessarily good novels, because readers of online novels generally have vulgar tastes and touching IQ. If you carefully read the above paragraphs of my introduction to the plot of the novel again, I believe that people with normal intelligence must feel a sore throat.
Sometimes, the personal charm of Mary Su, Goldfinger and 1v 1 sweet pet as the protagonists increases the level, which also becomes the highlight of a romance novel. However, the three views conveyed by this market-oriented novel that only caters to readers' interests may be controversial and frightening. In order to show the mutual oppression between women, Datang Yue Ming did not hesitate to set up the concubine room of the hostess's father, dared to sell the hostess as a prostitute when her father was alive, and did not hesitate to set up 600 big princess imperial bureaus with independent princess rooms in the customized food city to compete with the hostess for petty profits in the harem. In order to show men's love for mistress, Tang did not hesitate to set mistress up to be molested by two prodigals in broad daylight, and was moved into the harem by Li Zhi, who basically insisted on monogamy. He did not hesitate to set that men over 500 would rather not have children than concubines, and refused the concubines given to him by the emperor again and again.
Some people think that "Datang Yue Ming" is not Marisu. In fact, a novel doesn't have to be a heavyweight male sophomore to be called Marisu. The heroine of Yue Ming in the Tang Dynasty was incompetent and unintelligent, but she was admired by men. This man is feudal in thought, but he only likes to use his head. Isn't this Mary Sue? What is Marisu?
If anyone still thinks that the plot of this novel is rigorous, please refer to the above paragraph again and briefly describe whether the plot of the novel really meets the rigorous standard in your mind.
Datang Yue Ming claimed in his propaganda that it was "strictly based on historical facts". What do you think of this problem? For example, the historical novels Dugu Tianxia and Ruyi\'s Royal Love in the Palace Hougong Palace Royal Love, which are called textual research by netizens, not only make historical figures fall apart everywhere, but also try their best to render the relationship between women. The so-called "Datang Yue Ming" did not violate the recorded history, but actually fell in love with the historical figure Pei Xingjian and shaped many contemporary historical figures into tool people who only existed to suppress the male and female masters; Especially, Di Ku, as the hostess, cruelly treated her as a tool doll for prostitutes, tampered with her life records, and cruelly obliterated her historical achievements. For details about the distorted obscene history of Yue Ming in Datang, please refer to my other article about Yue Ming in Datang and textual research on the real Yu Zheng in Di Ku.
I admit, because of the particularity of the author, Datang Yue Ming only paid attention to the history of artistic customs. But as for the historical part, I'm afraid I only read the biographies of a few people, such as Pei Xingjian and Tang Ershu, and didn't think deeply. He even forced Pei Hangjian, a man who remarried over half a year old, to spoil the little girl and the woman. The author and the historians of the Song Dynasty agreed that he and Li Zhi were incompetent and cowardly, and in private they added lewd settings, so that he and Li Zhi were still tireless in dealing with many concubines, and even got their hands on her before she got married. The author agrees with the historians of the Song Dynasty that Wu Zetian is vicious in nature, treating human life like dirt, and even making people and gods angry, which is unacceptable to heaven and earth, so that she is spurned by her relatives and despised and strongly opposed by just people represented by men.
What are the reasons for the above problems in Datang Yue Ming? For another example, for example, in Gu Yan's novel Phoenix in Prison, Liu Chuyu, the heroine who was originally famous for np in history, was crossed by a young woman who was in love, so she was adapted into a good woman who was loyal to love. However, Feng Taihou, an important political woman in the history of the Northern Wei Dynasty, was distorted and smeared as a marginalized vicious companion. By the same token, in Datang Yue Ming, Di Ku, who was originally on the political stage after her husband's death in history, was crossed by modern little women, so she was reorganized into a vassal woman attached to her husband, and even completely erased her political career in the second half of her life. Wu Zetian, the only empress in the history of China, was distorted and portrayed as a heartless and deliberately evil woman. The crux of the similarity between the Ming Moon in the Tang Dynasty and the Phoenix Prison and Phoenix lies in the fact that the authors of these two novels are seriously biased in their positioning of women. Di Ku and Liu Chuyu only took part in politics a little, and their women's day was not very clean (this article includes, please refer to the academic paper Lu's analysis of Pei Xingjian's marriage, from "On Marriage Relationship in Tang Dynasty-On Turkic Descent"), which did not cause much damage to male authority, so they are still qualified to accept the author's transformation of bad women. We just need to adapt and reinterpret Di Ku, who used to be a woman in real history and drafted books, into a good wife and mother who has no political ambitions and assists her husband wholeheartedly, and adapt and reinterpret Liu Chuyu, who has dozens of lovers and interferes in real history, into a serious and good woman who is loyal to love and loves her husband wholeheartedly. Wu Zetian and Feng Taihou, who lived in the palace, were uneasy about the responsibilities of women and openly dominated the political situation as women, which seriously violated the authority of men. Therefore, crimes are unforgivable and irreversible, and they must be portrayed as marginalized and vicious female partners who deliberately and viciously persecute the female host.
The oppression of ancient women must be much more serious than that of modern times. Di Ku and Liu Chuyu, the heroines in "The Bright Moon in the Tang Dynasty" and "The Phoenix Terrace", can be described as one of the few ancient women who broke free from some constraints and made valuable achievements. However, these ancient women masters have been reinterpreted by modern people, from an independent and omnipotent woman to a little woman who lacks independent ability, has low IQ, relies on the protection of male spouses and fights with women.
Another example is "The Legend of Wu Mei Niang" broadcast on 20 14, which portrayed Wu Zetian as a little woman in Mary Su who was in power passively for men, intertwined with emperors such as Li Shimin and Li Zhi. The author of Yan Yuntai, which was broadcast recently, not only fantasized about the heroine for the first time in history, but also portrayed Xiao Chuo, a female politician who was in power after her husband's death, as a little woman spoiled by her husband and first love.
On 20 16, "Biography of Female Doctor Fei Ming" was based on Tan Yunxian, a female doctor in the Ming Dynasty, and was renamed Tan Yunxian in the film and television drama, and later became Ming Daizong's successor. There were few female famous doctors in history, but they fell in love with the Ming emperor and were confined to fighting among women. Another example is the film and television drama "Win the World", which has not been aired yet, and also combines Ba Qing, a businesswoman of the Qin Dynasty, with Qin Shihuang. Tan Yunxian and Ba Qing, under the harsh environment in ancient times, must have made unremitting efforts before they made valuable achievements in industries that were only allowed for men. Their spouses were not recorded, but they were reinterpreted by modern film and television dramas, and they were determined to form a A Lang match with the emperor at that time. The Biography of the Princess of the Female Doctor and Winning the World show us that in ancient times, women who focused on their careers must never concentrate on their careers, but must put love first. Their love object should not be ordinary people with low social status, but must be set as the most distinguished male role at that time.
The above phenomenon is by no means an isolated case. Many writers of female-frequency novels define successful women as happy little women who are deeply loved by their husbands, comfortable at home, caring for their husbands and educating their children, and lacking dedication to work. There is nothing wrong with creating fictional literature. However, the female writers and screenwriters who are passionate about eroticism are not satisfied with fictional creation, but have extended their claws to the truly great women in ancient history again and again, ignoring the precious efforts made by these great women, and twisted the truly big women in history into small women who fought side by side with women and were favored by men. Their gender concept seems to have returned to pre-liberation overnight.
The true story of Di Ku in history should be a widow's all-powerful political career. After her husband's death, Di Ku worshiped the imperial court and drafted the imperial edict, which reached the peak of her life. This is the beginning of this story.
She should stand out from the crowd by waving pen and ink in the clouds, instead of humble herself in the dust and quoting Qi Mei.
However, in this novel, the relationship between the heroine Di Ku Liuli and women is just a struggle, and many female historical figures and fictional characters are just tools to suppress and hurt the heroine. The woman can only rely on the protection of the man, and the man's kindness to her is her day. Such a plot makes people feel extremely depressed and dull. If "The Bright Moon in the Tang Dynasty" is just a fictional romance novel, then I will never comment on a word, no matter how contemptuous the hostess is like a feudal woman. But the author insists on writing with the help of the names of real historical figures, portraying historical figures beyond recognition, as if tearing up and crushing beautiful things, but whitewashing them with inferior pigments! Seeing the truth buried and the facts distorted, I was not only depressed and dull, but also heartbroken beyond measure.
Writing this article is coming to an end here. I have no intention of criticizing a novel, let alone publishing this article enthusiastically. A few years ago, I heard about a historical figure, Yu Zheng Di Ku. In the autumn of 20 19, since I heard that the romance novel Datang Yue Ming based on Di Ku was going to be made into a movie, I finished this novel with infinite humiliation and tears. In the face of the author's cruel suppression and persecution of the hostess, I am saddened and deeply sorry. I learned a lesson from this painful experience. I must tell the truth for the real Di Ku in history and give him justice!
-Attached, about the adaptation of the drama version;
Here's a comparison of the drama version of "The Wind Rises". On the one hand, Mei Yingju gave the reasons for adaptation. The original words are as follows: "The heroine in the novel survived because the prophet seemed very clever. The problem is that the heroine has been avoiding and has no initiative. " "Writing a TV series, it is a serious injury for the female host not to take the initiative."
If I make a fair evaluation, the drama version of A Storm is still set by Mary Su, and the plot is still unreasonable, which is not a good work, but the drama version is slightly better than the original in the direction of female inspiration. The heroine of the drama Dressing Up in the Wind has a positive energy line: "If there are fewer wise and self-protective people and more honest and honest people, the result may be different, so whoever helps me will help me." This goes far beyond the plot that Liuli only seeks to protect himself and avoids it again and again in the novel. Moreover, Liuli, the heroine in A Storm, is very talented in making clothes, which is somewhat in line with the design of talented women in Di Ku in history. However, Liuli, a woman who crossed into Datang Yue Ming, will only be a good wife and mother without independent personality.
Others think that Li Zhi's love for coloured glaze in "Storm" is unreasonable, but in "Datang Mingyue", Li Zhi doesn't love anyone and wants to sleep when he sees a beautiful maid-in-waiting. In novels, Liuli always fears and avoids Li Zhi. Although Li Zhi doesn't love Liuli, she wants to accept Liuli into the harem because she sees the uniqueness of crossing women.
Li Zhi's appreciation and admiration for Pei Xingjian and Wu Zetian's Di Ku was advanced by several decades in the drama version, and the historical figures who made great achievements decades later were the first to get to know and cultivate friendship during the Zhenguan period. However, the novel Datang Yue Ming completely distorts the true relationship between these four people.
Although both men and women in Dressing Up in the Wind are offline, they don't know that stupidity is also a kind of frankness. Of course, historical figures are not as stupid as in the play. Di Ku, Pei Xingjian, Wu Zetian and Li Zhi in history are all straightforward. They should have lived in a prosperous time to show their talents and their true colors of life, instead of fighting with each other. The historical figures portrayed in Datang Yue Ming only engage in politics and political struggles based on self-interest, regardless of the stability of the world and the happiness of the people. The hero and heroine in Datang Yue Ming are really miserable. Historically, Pei Xingjian and Di Ku have successfully contributed to the country, but their novels have to be suppressed again and again.
Film and television dramas need to face a wider range of groups and must convey correct values. The men and women portrayed in the novel are so oppressed and persecuted that the whole novel is covered with a thick gloomy and depressing color. The drama version of It's Windy needs to take care of the audience's personal feelings before it can be changed into a positive and joyful theme.
If the three views of online novels are not correct, there will be corresponding improvements in the process of film and television. Coincidentally, such as the recently hit "Widowed Husband".
Although "The Moon in the Tang Dynasty" and "The Wind" are not good works. But after all, it is not allowed to shoot a theme that allows historical figures to play dead, such as The Great Wandering Ballad, and it is not allowed to shoot a theme that is too nihilistic in history. In particular, a generation of national hero Pei Xingjian was forced to play dead in the plot of the novel, which is really not conducive to promoting positive energy culture. Therefore, the drama version has made corresponding improvements to the novel, changing the era setting to the youth of men and women.
I only make comments to tell the historical truth, and I don't want more people to be misled by distorting history. If the book powder just thinks the novel is good, don't read this comment. What I said was an understatement, but it didn't really matter. I try my best to write book reviews, and I don't accept that fans of short stories deliberately find fault.